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Word: slapstickers (lookup in dictionary) (lookup stats)
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...student of Shakespeare, has structured this comedy according to the truest Elizabethan standards of the form. All the elements are there, and in their proper places: a young protagonist, who starts out naive and ends up worldly; a humourously complicated love-at-first-sight affair, complete with bawdy slapstick; a "unifying theme" (quite a pleasant surprise for comedies of late); and, of course, the happy ending where everyone gets married...

Author: By David J. Waldstein, | Title: More Than Just T & A | 10/1/1981 | See Source »

...word you are apt to hear only from Bel Air real estate agents. Adventurous directors snapped the straight spine of traditional drama into a series of vertebral vignettes. The standard comedy structure, which had kept stage and screen humming from Labiche to Lubitsch, gave way to anthologies of slapstick punctuated by expletives. The story became so much dead air between explosions of pain and laughter. And so the question arises: Does anyone in movies still care about structure...

Author: /time Magazine | Title: Cinema: Over Easy | 9/14/1981 | See Source »

...action begins simply as the detectives confront the eerie outline of a body on the floor. This outline eventually becomes almost a character in itself--a totem, sinkhole and vortex of the show--but in its opening scenes the play draws the audience in with a witty sortie into slapstick and high comedy. The two detectives are something of the classically mismatched partners. Pablo is a prissy fussbudget, a wheezy bureaucrat. Clemenson flounces through the role in grand style, with his nervous gestures and his half-exhausted grandiosity (he tires before he can really come through). His gestures become more...

Author: By Thomas Hines, | Title: 'Jump, Jump' | 7/21/1981 | See Source »

...pastiche of the Hollywood studio man, a change in tone that signals Edwards' trepidation at biting the hand that slugged him. Edwards' directing gets in the way of his own script. Every time the charcaters verge on any sort of emotion, they play it for laughs. Reductio ad slapstick...

Author: By Laura K. Jereski, | Title: Sour Grapes | 7/21/1981 | See Source »

Kylian immediately sets a specific tone and atmosphere. His work is often frankly emotional, whether it is the bleak despair of Soldiers' Mass, the pathos of Overgrown Path, the slapstick comedy of Symphony in D or the heroic striving of Sinfonietta, the company's signature piece...

Author: /time Magazine | Title: Dance: And Now, the Netherlanders | 7/20/1981 | See Source »

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