Word: slapsticking
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Aegean (Scott Rowen '02) sets the tone-slapstick with a dash of irony-with the opening number "I Had Twins." Though he quickly disappears, the high spirited melodrama of his performance hangs in the air throughout the first act. The plot develops humorously (if predictably) through a series of mistaken identities and mixed motivations. As Adriana (Brydie Andrews '01) tries to reclaim her rightful husband, she takes the wrong Antipholus and...well...ahem. When the visiting Antipholus meets Adriana's sister Luciana (Randi Zuckerberg '03), there's enough chemistry between them to start a pharamcuticals coroporation. Their "This...
...seems that, in a sense, sports resembles theatre. The plot twists on a large stage before a national audience usually end up as either slapstick or Shakespeare. Either way, the unpredictable element of every move engenders a certain mystique that makes important games what they...
...Robbins' history lesson never feels spoon-fed, delivered with a snappy pace and comedy that is by turns broadly slapstick and subtly incisive. Nimble performances keep this complicated creation afloat. Though the film's scope makes all of its portrayals into caricatures, the actors seem aware of the limitations of their parts and do their best to bring them to life in quick, bold strokes. Among the most remarkable are Cherry Jones, whose tough-talking moll displays a deep belief in the power and necessity of the theater, and Ruben Blades, who melts into his small role as Diego Rivera...
...affective disorder. Before Peanuts made its debut in 1950, one wouldn't generally think of pop-cultural children--maybe not children, period--as having psyches, much less diagnoses. Moppets of the Depression and before were uncomplicated, hardy imps, ravenous Little Rascals and ruddy-faced Katzenjammers of simple wants and slapstick antics. Schulz's Dr. Spock-era kids brought cartoons into the age of psychiatric help, 5[cents] at a time. Reflective, neurotic and deadpan, they were to their predecessors what Bob Newhart was to Moe Howard. They were children of postwar prosperity, a time when Americans could afford to have...
...Shades of the Farrelly brothers inhabit this early slapstick about a nebbishy city-dweller played by (surprise!) Allen who somehow winds up in a backwards Latin American republic. The film plays upon stereotypes to no end, but its frequently hilarious and neatly demonstrates the fun of Allens immature work...