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Word: slapsticks (lookup in dictionary) (lookup stats)
Dates: during 1920-1929
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Usage:

...TAMING OF THE SHREW?Slapstick Shakespeare irreverently and amusingly revived in short skirts (TIME...

Author: /time Magazine | Title: Theatre: Best Plays in Manhattan: Jan. 16, 1928 | 1/16/1928 | See Source »

...Fascination" or "Peacock Alley". The romance of the Merry Widow waltz left the "Publix" patrons cold, whereas less black velvet and fluffy chiffon and more red hot syncopation a la her Ziegfield "Follies" days would have attracted the thunderous applause with which the "Publix" audience greets atrocious slapstick. Miss Murray must be admired, most of all, because she refused to descend to the level of her audience. For the theatregoer who storms the box office to see his or her cinematic god or goddess in person, however, the notions that the movie star should play the sedulous...

Author: By R. T. S., | Title: CRIMSON PLAYGOER | 12/19/1927 | See Source »

...stay in the thin bobbed hair, and the flaming shawl was strangely dull. True there was a hint of the old gestures, the old fire, but the Palace audience could not remember, saved their applause for Naughton & Gold, funny indeed, for the triple-tonguing of Trumpeter Rolfe and his slapstick jazz players...

Author: /time Magazine | Title: Music: Variety | 11/21/1927 | See Source »

...always funny, they are always fast in a brand new comedy background, namely the railroad field which seems to have infinite possibilities, especially when this pair are out to make a run. Indeed, these two comedians seem to be out to undo the jinx that makes so many slapstick favorites of the footlights flops of the Kleig lights. They spare neither themselves nor each other in making "Tell It To Sweeney" extremely hectic and reasonablly funny...

Author: NO WRITER ATTRIBUTED | Title: CRIMSON PLAYGOER | 10/3/1927 | See Source »

...piquante Mary Jane, dancing star of "Yes, Yes, Yvette," granted an interview yesterday to the CRIMSON, back-stage, before the matinee performance at the Wilbur. Discussing the particular phase of the terpsichorean art in which she excells, Mary Jane remarked that the public has a decided preference for slapstick dancing. "The audience delights in the 'knock down and drag out' burlesque dance, and such a number in the repertory of a professional dancer, means more applause and more money. However, one pays fully for both. The audience cannot appreciate the risks that one has to take to achieve funny...

Author: NO WRITER ATTRIBUTED | Title: Mary Jane, Diminutive Dancing Doll in "Yes, Yes, Yvette," Laments Flying Exit Into Wings--Prefers Black Bottom. | 5/19/1927 | See Source »

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