Word: slashers
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Happiness doesn't easily admit to comparisons; though it carries echoes of Manhattan, Nashville and Hartley's pictures, it has a unique equipoise of soap opera and slasher film. After Solondz's scabrous little preteen angstathon, Welcome to the Dollhouse, earned more than $4 million on a budget of $800,000, October Films sponsored his next, $3 million project. But October was pressured this summer by its corporate parent, Universal Pictures, to dump the film. It will be released, unrated, by its own production company...
...pockets and buy $100,000 worth of Sunbeam stock. Two weeks ago, with the value of that stake fast eroding, Elson said, "You bet I looked at the company as an owner." So he and his similarly staked board mates moved fast to "Dunlap" Dunlap, sacking the job slasher whose name had become a Wall Street verb...
...13th and, ahem, choose incorrectly. Cannily crammed with the likes of Neve, Courteney and Skeet (if these names seem meaningless, you're just in an obsolete demographic) and directed with twisted bravura by the incomparable Wes Craven, Scream became the highest grossing horror movie ever, reviving the moribund slasher genre and lifting its author into Hollywood's screenwriting elite. When the Williamson-scripted I Know What You Did Last Summer (starring Jennifer Love Hewitt and Buffy the Vampire Slayer's Sarah Michelle Gellar) ruled the box office for three weeks running, his coronation was inevitable; just last week Williamson signed...
...safe upbringing," says Party of Five ingenue and Scream centerpiece Neve Campbell. Her Sidney, a dewy innocent in the original, has morphed in the new film into a quintessentially '90s victim/survivor, achieving a kind of tear-streaked operatic grandeur that, frankly, lends Scream 2 more emotional punch than a slasher sequel really deserves. "Young people have been numbed," she says. "Kevin has a way of capturing that cynicism without being naive...
...freshly present twists on Scream 2's horror theme. D'Angelo does the best job with his cover of "She's Always In My Hair," written by the Artist Formerly Known as Prince. He sings hypnotically while the backing music provides the ultimate in sublime background for a slasher movie. The movie's theme "Scream," by Master P featuring Sukk the Shocker, presents a wailing cry for help, obviously fitting into Wes Craven's attempt to bring the horror movie genre into mainstream pop culture. Most humorously, the Kottonmouth King's "Suburban Life" recreates the spirit of idiotic teenage angst...