Word: slater
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...have a life outside the intentions of the artist? In Carey's nimble revision of the Malley episode, we enter through Sarah Wode-Douglass, editor of a London poetry magazine, who is thinking back on a trip she made to Malaysia in 1972 in the company of John Slater, a goatish, prevaricating but celebrated poet. In Kuala Lumpur she stumbles upon Christopher Chubb, a disheveled Australian expatriate who has a bike-repair shop but also reads Rilke. Learning that Wode-Douglass is an editor, he tantalizes her, not with his own work but with a brilliant page...
...Slater warns Wode-Douglass that Chubb is a hoaxer and that McCorkle is merely a phantom. This seems to explain everything until Chubb tells her the almost convincing story of how McCorkle--powerful, angry and nearly 7 ft. tall--turned up one day in the flesh. Is McCorkle flesh and blood or a projection of Chubb's imagination? And since Chubb's own verse is mush, how could he possibly have been the real author of McCorkle's stunning poems--the work of a man who had "ripped up history and nailed it back together with its viscera...
...Derek A. Slater ’05 said he has notified the University of his desire to restore the documents, which are private memoranda of Diebold Election Systems employees...
...notice sent to Slater by the general counsel’s office on Friday said his posting of the Diebold documents would not count against him as an infringement of network policies...
After reading The Crimson’s Nov. 10 article, “Student Accused of Violating Copyrights,” my heart goes out to Derek A. Slater ’05. As someone who has for many years been attempting to induce the electronic voting machine vendors to provide a reasonable amount of integrity and accountability in their voting systems, I am horrified at Diebold Election Systems’ attempt to use the Digital Millennium Copyright Act to further their regressive practice of hiding behind copyrights in an industry whose products are fundamentally flawed by an almost complete...