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...year-old New York Philharmonic) but is still youthful by virtue of its many young players. Building on the legacy of sober, European conductors like Vladimir Golschmann and Walter Susskind, St. Louis has come into its own as a tightly disciplined ensemble under the impressively gifted American conductor Leonard Slatkin, 38. Like the Chicago Symphony, which it resembles in style and flair, the St. Louis Symphony is at its best in big pieces, but of a more recent vintage: Rachmaninoff's orchestral music, Shostakovich and Prokofiev symphonies. Good as the orchestra is, its fortunes remain closely tied to Slatkin...

Author: /time Magazine | Title: Music: Which U.S. Orchestras Are Best? | 4/25/1983 | See Source »

...Leonard Slatkin. 37, of the St. Louis Symphony. The leader of this first-class orchestra comes by his music loving naturally. Growing up in Los Angeles, Slatkin heard his violinist father and cellist mother play chamber music regularly as half of the Hollywood String Quartet. Slatkin on the podium maintains tight control over his orchestra; his performances are marked by precision and a command of musical architecture that permits him to bring off unwieldly pieces like Rachmaninoffs uncut Second Symphony...

Author: /time Magazine | Title: Music: Five for the Future | 4/19/1982 | See Source »

...likely to change soon. "I never in my wildest dreams thought an American would go to Cleveland," says Zinman. Observes Keene: "If you want to find the American conductors, you have to go beyond the ten largest orchestras. At the secondary level, Americans seem to have plenty of appointments." Slatkin-the only native-born American leading an orchestra whose annual budget ( lion) is among the dozen highest-thinks the grass-is-greener philosophy extends to other countries: "Look at England. None of the big London orchestras has an English conductor...

Author: /time Magazine | Title: Music: Five for the Future | 4/19/1982 | See Source »

While any one of the five would no doubt accept an offer from Philadelphia or Boston, each professes to be happy with his current situation. Slatkin cites the example of Cleveland, where George Szell turned a regional ensemble into a crack musical regiment: "If it can be done in that city, it can be done in St. Louis." Adds Simmons: "I'm not even thinking about leaving Oakland. Here, I am able to build something that is basically my own instrument. Why go somewhere else and start over again...

Author: /time Magazine | Title: Music: Five for the Future | 4/19/1982 | See Source »

...crowd sweltering under a tent on the South Lawn of the White House last week had gathered at a great occasion. On a platform were Conductor Leonard Slatkin and, instruments at the ready, New York's Mostly Mozart Festival Orchestra. In the audience: the President of the United States. But the real guest of honor was the shade of Wolfgang Amadeus Mozart, whose long-lost Symphony in F, K. 19a, was having its American premiere more than two centuries after it was written and several months after it mysteriously surfaced in West Germany. The composer was all of nine...

Author: /time Magazine | Title: Music: Mozart Debuts at the White House | 7/20/1981 | See Source »

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