Word: slaughters
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Dates: during 2000-2009
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Torres is hopping mad about the slaughter of tourism. He's fighting back with a campaign of his own on local television, in newspapers, in articles and podcasts for the Web, and in YouTube videos from expatriate Americans willing to go on the record about the quality and safety of life along Mexico's Pacific coast. "It makes me sad and angry at the same time," says Torres. "I blame the media to begin with, but now I blame the U.S. government for these warnings. If I could sue them, I would...
...took a baseball bat to a hornet's nest but wasn't ready for the hornets - and point out that the Mexican army is not particularly well trained for the urban-guerrilla nature of drug wars. Either way, by last year Washington had become alarmed at Mexico's slaughter: Congress approved $400 million in aid for Mexico's drug war, the first installment of what is supposed to be a three-year, $1.5 billion package known as the Mérida Initiative...
After the Second World War, the world was stunned by the atrocities of the Holocaust and vowed, “Never again.” After Rwanda in 1994, the world was stunned with the slaughter of a million lives and vowed, “Never again.” And now, 15 years later, how does the world respond to a genocide that has claimed the lives of 300,000 people and displaced more than 2.5 million in Darfur? While the International Criminal Court has indicted the president of Sudan, Omar El-Bashir, the Arab League has rushed...
...vegetarian weight-lifter exposes a deep-rooted cultural fiction: that men gain strength and virility through eating the flesh of other mammals. Although, from a nutritional standpoint, meat may do more to clog men’s arteries than to build their muscles, meat retains symbolic power: The slaughter and consumption of animal flesh serves as a means for men to assert their dominance over nature (and, by extension, over women...
...mind, the baroness sneaked off to Cincinnati by train to model nude at an art school.” What Codrescu doesn’t explicitly mention, however, is that the tension between posthuman and human is itself a Dada construct. Dada grew out of a disgust at the slaughter of World War I; the impulse to negate all culture was an impulse to break down a society capable of such carnage. Dada art (Codrescu’s book is all words) often took images of technology and applied them to human forms—a reaction, to be sure...