Word: slave
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Dates: during 1930-1939
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...story opens in Kansas-the "Bleeding Kansas" of 1856. Dour John Brown, scratching a bare living as a farmer in the Adirondacks, was a fanatical Abolitionist. He had sent some of his seven big sons out to help settle Kansas, keep her from becoming a slave state. Soon they needed help, sent word rifles would come in handier than bread. John Brown took the rifles out himself. When the Southerners burned Lawrence, John Brown took a bloody revenge. With a small party he went in the dead of night to enemy cabins, took men out of their beds and killed...
...Proust traces, things and people have slowly altered, but it took the war to give the final impetus for the complete reversal of the Paris society, the society of the "Guermantes set," he pictures. From the time that the narrator sees the stricken M. de Charlus bow like a slave before Mme. de Sainte-Euverte, a woman he had always refused to recognize, till the author decides to write this work, it is the change that has come about that he emphasizes. The unevenness of two stones in the Prince de Guermantes courtyard, for instance, brings back...
Negroes venerate especially: the Martyrs of Uganda; St. Benedict the Moor, 16th Century slaveborn monk; and St. Peter Claver, S. J., famed for his work in the early slave markets in Cartagena...
...chosen. As she walks into the stream to drown, the Boy creeps to the bank, plays on his flute. The Voodoo Man has him dragged away. A sacrificial procession. Tom-tom-tom. The Boy struggles in his bonds, the Voodoo Man leaps at him knife in hand. Comes a slave caravan, the Boy & Girl are chained together, carried away. The Voodoo Man runs through the clearing. Slavers club him down, but his tom-tom has sent its warning to distant drums...
...York's Polo Grounds one night last week, Aida the slave girl stood near the home plate, sang of her love and terror, was at last pent up to die with her soldier lover. There were no animals at all, the supers were ludicrously spindly-shanked and awkward, the scenery an arrangement of posts and draperies which seemed often to confuse the performers. Nonetheless many a Manhattanite had journeyed tediously to 155th Street to see the second U. S. operatic performance of lissome, dark Helen Gahagan, Belasco actress (Tonight or Never) turned singer. New Jersey-born, Brooklyn-raised, Actress...