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...case of Amistad is far more troubling. Lest anyone forget, President Clinton has called for a national dialogue on race, and Steven Spielberg's re-telling of a 19th century slaveship rebellion looks as if it may be embraced as the vehicle for bringing that dialogue to the wider public. Beginning with Newsweek a month before the film was released, the media has run countless features accompanied by commentaries discussing the state of race relations in this country. It is interesting to note that while these high-falutin' societal spreads have universally praised the movie as an extraordinary achievement, only...

Author: By Noah Oppenheim, | Title: Unloading 'Amistad' | 1/5/1998 | See Source »

Benito Cereno Wallace. The wiliest slave on the slaveship gets a letter from a fellow passenger. It is signed...

Author: By Peter Kaplan, | Title: Governor Lonelyhearts | 3/9/1976 | See Source »

...repertory company in the Academy's small (250 seats) fourth-floor theater (the facilities also include a 2,200-seat opera house, a 1,200-seat music hall and a 125-ft.-long grand ballroom). A year later, the Chelsea company's production of LeRoi Jones' Slaveship was so successful that it moved to off-Broadway after its three-week Brooklyn run. The same thing happened to a 1971-72 production of John Gay's The Beggar's Opera and a 1973 Academy staging of Jean Genet's The Screens. Lichtenstein has also brought...

Author: /time Magazine | Title: Show Business: Rebirth in Brooklyn | 1/14/1974 | See Source »

Gold Coast slaveship...

Author: /time Magazine | Title: Time Essay: The Stones and the Triumph of Marsyas | 7/17/1972 | See Source »

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