Word: slaving
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Dates: during 1950-1959
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...trend, in its more ridiculous moments, may seem inconsequential, but in a democratic society the misuse of the secrecy stamp is in opposition to both good theory and good practice. The public's need to know remains a distinguishing factor between free and slave states...
...Sahara, even tougher tribesmen were reported taking up arms against Madrid's rule. They were the towering, long-haired R'Guibat tribesmen known as the "blue men" because their robes are colored with an indigo dye that rubs off onto their skin. Rich and, until recently, gunrunning, slave-trafficking nomads who hold a virtual monopoly on camel raising in the western Sahara, they hold colonial borders in warlike contempt...
...their dogmatic opposition to religion, their slavish conformity to the stale attitudes of "nonconformity," their long willingness to excuse Soviet crimes in the name of a higher aim (scathingly, Aron asks why so many had to wait for the Hungarian massacres to become indignant when the purge trials, the slave labor camps, the Katyn massacre, the mass deportations should have been enough). Says Aron: "Both American liberals and the Left in France and Britain share the same illusion: the illusion of the orientation of history in a constant direction . . . Marxism is only one version, a simultaneously cataclysmic and determinist version...
...handsome, romantic, cranky figure, that most irritating kind of idealist, a collector of other people's injustices. A poor orphan boy from Ballymena in County Antrim, he joined the British consular service, was stationed in Africa. The Belgian Congo, then being run as a private slave factory by Belgium's King Leopold II, captured his horrified attention. It was a time before Europe knew itself capable of Belsen, and Europe was shocked by Casement's voluminous, angry reports (published in 1904) on torture, floggings and forced labor. Later, he made similar reports for the British Foreign Office...
...play with a power to inform, or shock, or dismay, that wholly shrivel mere theatrical make-believe; and as Artie and Judd, Roddy McDowall and, even more, Dean Stockwell, give brilliant performances. But the dozens of moments are not cumulative. Except as a history of a master-and-slave relationship, of an Artie who, devoid of normal feeling, must subsist on diseased sensation, and a Judd slowly driven by sexual feeling into becoming Artie's companion in evil-except, in other words, for what has happened before Compulsion begins-its materials permit no inner development. Balked of psychological progression...