Word: slaving
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Dates: during 1960-1969
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SEVERAL hundred of the blacks danced around us in a tremendous, floating wave of bodies as we slowly made our way toward Congo Square. Two hundred years ago, the local slaves were allowed by custom to dance in that square every Sunday. The slave drummers would pound out their ancestral rhythms while their brothers would chant and dance for a few hours of freedom...
...slave, death was a moment of peace, dignity, and freedom which could not be known in life. Sorrow in death was always tempered by a sense of relief. This great boisterous celebration of death could only have sprung from such conditions as black men faced in America. Why it took the particular form it did in 19th-century New Orleans--the jazz funeral--is impossible to answer precisely. Black men found horns and drums and created a great music--a music that would express a powerful, heartfelt message. It was the blues, ragtime, spirituals, marching music dancing music. They lived...
...only evidence is a sentence in not-so-reliable memoirs published thirty years after Turner's death. Why did Styron push Nat's African ancestry back a generation? He had to account for white women are possible--look at the sociological evidence; Styron points to other slave revolts. Styron's voice adds an edge, he had heard all these questions before, he has answered them before...
Shea concentrates on and sometimes interprets certain elements in the lives of Pushkin and Lermontov that stress their roles as political actors and as outsiders to the system. Pushkin was the descendent of a Negro slave to the Czar and was dark himself, a fact not commonly known. In this play, he is portrayed by a black actor, mainly to stress his sense of difference and his antipathy toward the Czar. In Lermontov's life, too, the political acts are highlighted: his eulogy to Pushkin at Pushkin's funeral (based on the real Lermontov's poem), dangerous because Pushkin...
...been seized by the secret police. How a copy survived and reached the West is unknown. A sensational melodrama, set in the 1840s, the work bristles with bandits and bursts of gunfire. The heroine is a serf girl, blinded as the result of a violent quarrel between master and slave. She seems to be meant to symbolize Russia, forever the victim of the conflict between barbarism and the simple, instinctive virtue that exists in its soul...