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Word: slaving (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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...uses characters, events and settings from GWTW. Randall changes names--Scarlett O'Hara becomes "Other," Rhett Butler "R," Ashley Wilkes "Dreamy Gentleman"--but these draw whatever substance they have in this version from the people fleshed out in Mitchell's novel. Randall's invention is the character Cinnamon/Cynara, the slave Mammy's mulatto daughter and the half sister of Scarlett, er, Other. Cynara's diary forms the basis of The Wind Done Gone. She writes of her childhood at Cotton Farm and Tata (Tara) and then of events after the period covered in GWTW: her freedom and her life...

Author: /time Magazine | Title: Books: The Birth Of A Novel | 5/7/2001 | See Source »

Styron, a self-proclaimed “white man from Tidewater Virginia” was widely criticized in the 1960s for The Confessions, which he wrote from the point of view of Nat Turner, a black slave who led a insurrection during the height of American slavery. Because the class had just finished a critical study of The Confessions of Nat Turner and numerous primary and secondary sources, the discussion centered primarily on the nuances of the novel and the controversy surrounding...

Author: By Rebecca Cantu, CONTRIBUTING WRITER | Title: The Confessions of William Styron | 5/4/2001 | See Source »

Styron later added, after a student had pointed out his disregard of slave spiritualism in the novel, that “there is only so much one can put in a novel.” He explained that every author must make choices when creating his protagonist and the world he inhabits. “The novel is successful in elaborating upon the character if the choices are valid. I hope that my choices add up to a mosaic that form the totality of Nat Turner,” said Styron...

Author: By Rebecca Cantu, CONTRIBUTING WRITER | Title: The Confessions of William Styron | 5/4/2001 | See Source »

...cadence and vocabulary depending on whom Nat addressed. Styron identified Turner’s narrating voice as the most peculiar in the novel, because it is an authoritarian voice, and one of “high literacy.” According to his research, “a slave of that time, wouldn’t have [used such language].” But the most importantly, he said, the novel is a translation of Nat’s thoughts; Styron firmly believes that all authors are translators, especially those writing historical novels. When questioned about who he is targeting...

Author: By Rebecca Cantu, CONTRIBUTING WRITER | Title: The Confessions of William Styron | 5/4/2001 | See Source »

Obviously, the writing of a novel is a daunting task, and Styron answered one student’s question about beginning the writing process. “After mastering the material of the time period, I felt comfortable assuming the skin of a slave in the 1800s. But I would never have tried to assume the skin of a black person in the 1960s, because I wasn’t familiar with the material of the time period.” Thus, it seems that familiarity with the subject matter is a crucial, if not the most important, step...

Author: By Rebecca Cantu, CONTRIBUTING WRITER | Title: The Confessions of William Styron | 5/4/2001 | See Source »

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