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Word: slaving (lookup in dictionary) (lookup stats)
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...noxious practice of pigeonholing people in narrow racial classifications is a deeply ingrained American habit that predates independence. It began with a desire to enforce firm distinctions between free citizens and slaves. In 1661, for example, Virginia decreed that the legal status of the mother would determine whether a black child was a slave or free. Three years later, Maryland went a step further, declaring that if either of a child's parents was a slave, the child would also be. The purpose of this law, its authors said, was to deter "divers freeborn English women" from marrying black slaves...

Author: /time Magazine | Title: RACE: I'M JUST WHO I AM | 5/5/1997 | See Source »

...example, Brown recalls the origin of "Georgia," a poem from her recent show. The poem explores a young man's struggle to reconcile his love for his mother with his hatred for the slave master who raped his grandmother, she says...

Author: By Rebecca F. Lubens, | Title: Publishing, Performing And Poetry | 4/12/1997 | See Source »

...inspired by a silly conversation I had at work with some guy who told me that the fruit is a cross between a peach and a plum," she says. "I used the plum to represent his grandmother who is dark and a peach to represent the slave master...

Author: By Rebecca F. Lubens, | Title: Publishing, Performing And Poetry | 4/12/1997 | See Source »

...choreographer, Daniel Pelzig. In the past two seasons he has created several new ballets for the company, and his ability to please the audience now includes this performance in which he himself is actually onstage. As the round, jovial, bouncy pasha, Pelzig's thrilled expression upon seeing the beautiful slave girls and his silly hopping about with a staff caused more than a few giggles in the audience...

Author: By Christiana Briggs, | Title: 'Le Corsaire' Sails to Success: | 4/10/1997 | See Source »

...from the company at the end of the season. Her performance as Medora was by turns sweetly tender and cockily cute, and her fluidity and lithe jumps were flawless throughout the evening. Pollyanna Ribero, as Medora's friend Culnare, displayed her usual solid strength. In the pas d'Esclave (slave dance), the female role was performed by Jennifer Gelfand. The highlight of her variation was, as always, her amazing pirouettes and fouettes. She amazed the audience with her ability to do four and five rotations in the midst of her fouette turns, a feat that is seldom seen onstage...

Author: By Christiana Briggs, | Title: 'Le Corsaire' Sails to Success: | 4/10/1997 | See Source »

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