Word: slavs
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Dates: during 1960-1969
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...years, up to 1918, his country was dominated by a Western power, the Austro-Hungarian Empire. The Czechs' only hope was that a strong nation of similar Slavic culture, sensitive to Slav desires for self-determination, would help her drive for independence. The Russian Bolsheviks during the crucial years of World War I, became her champion...
...signs came. The mercurial Rumanians, whose Latin origins may have instilled a certain coolness toward Slav ic influences, swept the box office clean of tickets for the Californians' two concerts. The black market became so brisk that scalpers were buying from each other, and at one concert, 600 crashers forced their way in. The next night the Russians played; there were enough empty spaces in the hall to drive a tractor around in, and the crowd dwindled further at intermission. It wasn't that Conductor Kiril Kondrashin had given a poor concert; it was just that the exuberance...
...should be noted that Forman is not yet (in this, his second film) entirely adequate technically. He did not graduate from any of those incetuous Middle European national film academies, so unlike every other Slav we know he has neither a spine-warping bag of tricks nor an official certificate of artistry. He got into cinema as a writer, and the continuities he establishes are clearly more dramatic than graphic-which should make his art more accessible than most to the casual moviegoer...
...Western nations; President Tito himself has severely handcuffed the once-dread ed secret-police apparatus; and the re gime is openly encouraging a measure of economic and local political compe tition. But there are still some limits to liberalization, as Writer Mihajlo Mihajlov discovered last week. A Yugo slav court sentenced Mihajlov to ten months in jail for writing uncompli mentary things about the way Tito runs his country...
DVORAK: CONCERTO FOR VIOLIN AND ORCHESTRA (Deutsche Grammophon). Filled with Slav melodies and sharp folk rhythms, Dvorak's only violin concerto is nevertheless grandly designed, and is given a spirited, full-bodied performance by Edith Peinemann, a 29-year-old German violinist with a singing tone and a dancing bow. With the Czech Philharmonic...