Word: sleeked
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...main runway, stood a trailer converted into the dispatch office of Executive Aviation. EA, its twin-engined carriers and a snaky Lear jet, flew quick-order runs of car parts to GM plants around the country. Everything, from the reined jet to a sharp-boned and muscular Doberman, jutted sleek, Steinberg angles. Everything, that is, but an unshaven guy snoring in a wood chair propped against a wall with his boots on a table. He wore a Beech-nut "chaw" cap and kept a spit tin on the floor next to the chair. The Doberman sat poised as it grew...
...Sellar's Lear runs more than four hours. It tests our endurance with strange visual effects that add little to an understanding of the play. The notorious storm of Act III wails for an hour amidst pendulous light bulbs, harsh spotlights, rolling rocks, flickering candles, blinking headlights of a sleek Lincoln Continental, and the disturbing whine of steel cellos. Yet Sellars wants more. On comes a snake of worklights, four television sets and two Polaroid cameras with flash bulbs. Sellars uses every corner of the stage, from the turrets in the wings and the halls outside the theater...
Unlike Reagan, Crane bills himself as the next presidential history teacher. And unlike Reagan, Crane doesn't stand a chance. The hard-rock Republican from Illinois is the paragon of the sleek modern conservative--more crudely, of the classical liberal. And some people know he's running for president...
When Heiden skated onto the ice, the crowd chanted rhythmically, "Eric! E-ric!" Heiden and Kulikov stripped down to their sleek, skintight uniforms. Their hair was tucked into constricting hoods that improve their aerodynamics but, says Heiden, make it hard to breathe in any position other than a skater's crouch...
Cruising horrifies from the start. Explicit killing supersedes explicit homosexuality on the screen. The killer cruises a victim--picks him up--in a hellish bar and they move on to a sleazy hotel. There, the victim admires his sleek, naked body in a mirror, flexing his muscles while the killer, visible in the mirror, lurks in a shadowy corner. The mirror dominates these men, Friedkin implies. They are narcissistic; they love themselves and they love physical replicas of themselves, mirror images...