Word: sleeked
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Gory Camp. Humor is no detriment at all to the third and best play of the triad. An epicene author named Kayo Hathaway (William Young), sleek as a snake and wicked as a weasel, has made a million by turning out reams of gory camp about a Commie-hating little old lady in sneakers and her homicidal gorilla of a son. Granting an interview to a worshipful young fan (Matthew Cowles), Hathaway utters the pomposity: "You get what you give." And that becomes the text for a murder that is as amusing as it is satisfying...
...somersaults or tweaks noses with a paddle-ball. He and his comrade the Captain (Michael Farrell) are rescued from hunger by Leander (George Sheanshang) and Crispin (Warren Motley), who have established credit with the Innkeeper (Richard Anderson) by means of fancy clothes and fancy talk. Motley is a sleek, clever confidence man, putting it over on everybody, even his friend Leander, who in the end turns against his sneaky wiles. Leander, the ostensible hero, is altogether a mediocre guy; he manages to fall truly in love with equally dull Silvia (Demetra Striggles), who luckily stands to inherit an enormous fortune...
...Dead, robed Berber men and veiled women chew on fried locusts while they watch snake charmers toy with defanged black cobras, or listen to interminable tales of storytellers perpetuating the tradition of the Thousand and One Nights. In Fez, Morocco's ancient center of Islamic culture, the sleek, European-style Merinides Hotel shares a hilltop with the tombs of 14th century sultans. Outside the cities, cars on superhighways rocket past plodding camel caravans and occasional trucks...
...sleek and lightweight, lustrous and warm. "You can do anything with mink because it handles as easily as cloth," says Ernest Graf, executive vice president of Ben Kahn Furs Corp. "Mink is durable. Mink is beautiful...
...scene unfolds up Dewolfe St.: first the insistent brick spire of a Catholic church, then the stubby red buildings of the Yard, and finally, William James, towering abrupt and white in the background. The church spire struggles for attention, but can't really match William James, which rises sleek, new and confident above the Cambridge sky-line. Beneath it, the quiet buildings of the Yard huddle together as if frightened or resentful, wrapped in tradition...