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...meant to bring new pride to a nautical nation, to restore some measure of the glory that was Britain's when her Queens ruled the seas. Sleek and speedy, the Queen Elizabeth 2 was designed as a floating luxury hotel, modern and comfortable enough to attract free-spending American tourists for the transatlantic run in the warm seasons and Caribbean cruises in the winter. At least, that was the dream of the Cunard Steam-Ship Co. when it ordered the $71 million, 66,000-ton liner in 1964. Last week, as she limped into Southampton after her shakedown voyage...

Author: /time Magazine | Title: Shipping: The Unlucky Queen | 1/10/1969 | See Source »

ZORBA is a sleek and synthetic musical version of the Kazantzakis novel in which Herschel Bernard! clodhops through the role of Zorba. The songs and dances, possessing neither virility nor ethnic veracity, hardly ever evoke the characteristic tone of Levantine lament...

Author: /time Magazine | Title: Television: Jan. 3, 1969 | 1/3/1969 | See Source »

...contrast to the rather boxy Metroliner, the three-car U.S. TurboTrain is a sleek harbinger of the future. It was built by United Aircraft-which also manufactured the longer Canadian National Turbos. Each of the two prototype TurboTrains cost an estimated $2,000,000 to build. Powered by six 550-h.p. turbine engines, the aluminum Turbos are capable of speeds up to 170 m.p.h. At first they will be restricted to 110 m.p.h. Riding at that speed, the three-car trains can carry about 140 passengers in great comfort. They can round sharp curves at speeds 40% higher than existing...

Author: /time Magazine | Title: Business: LATE ARRIVAL OF THE FAST TRAINS | 1/3/1969 | See Source »

ZORBÁ is a sleek and synthetic musical version of the Kazantzakis novel in which Herschel Bernardi clodhops through the role of Zorba. The songs and dances, possessing neither virility nor ethnic veracity, hardly ever evoke the characteristic tone of Levantine lament...

Author: /time Magazine | Title: Television: Dec. 27, 1968 | 12/27/1968 | See Source »

...roster of 40 animators and 140 technical artists, who made some 500,000 drawings altogether. This is considerably less art work than was used by Walt Disney, whose techniques were developed to simulate the motions of real life. Animators like John Hubley rebelled against Disney's sleek realism. They produced films that frankly displayed their characters as drawings, not people. Backgrounds were not landscapes, but sketches. The results were such creations as Gerald McBoing Doing and Mr. Magoo. Candidly stylized, outrageously unrealistic, they made a kind of claim to be art. Edelmann and Submarine obviously belong to this tradition...

Author: /time Magazine | Title: Art: NEW MAGIC IN ANIMATION | 12/27/1968 | See Source »

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