Search Details

Word: slenderer (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
Sort By: most recent first (reverse)


Usage:

...scholars have identified about 15 of La Tour's paintings. Last week visitors, clustered in one of the galleries of the Frick, could study for themselves the special marks of his great talent-the smooth, stylized surfaces, gleaming in ghostly candlelight; the quiet faces reflecting stolid patience; a slender hand, translucent to the flame...

Author: /time Magazine | Title: Art: Lost & Found | 7/12/1948 | See Source »

...again this is a touching little story; but ultimately it is wrecked by Miller's longtime habit of trying to hang too heavy a meaning on too slender a frame. The virtues of economy and precision seem to have dawned on the author too late. Henry Miller's contribution, if any, to 20th Century writing may be that he often illustrates the fatal distance between "self-expression" and the hard discipline...

Author: /time Magazine | Title: Books: The Last Expatriate | 6/28/1948 | See Source »

...corner of the picture while Priapus fiddles with her skirt. A blowsy Ceres helps Apollo hoist cup to lip. Neptune is paired off with Gaea, who holds a quince -the symbol of marriage. Bacchus appears as a child, and his foster father Silenus looks more like a slender ascetic than a roly-poly satyr. Generations of art scholars have wondered...

Author: /time Magazine | Title: Art: Fun at the Wedding | 6/7/1948 | See Source »

Chess & Cape. Still slender and erect, Gide has a leathery brown skin, sharp eyes and decisive gestures. His rambling Left-Bank apartment is shared with stout, 82-year-old writer Maria Van Rysselberghe, her daughter and son-in-law, Newspaperman Pierre Herbart. Gide's daughter, Catherine, now in her 20s, lives near Paris with her husband and two children...

Author: /time Magazine | Title: Books: Immoral Moralist | 6/7/1948 | See Source »

...Goldwyn had his say in the Screenwriter: "What bothers me deeply is why the practitioners of the art have failed, on the whole, to become truly creative artists but rather have been content, in the main, to remain little more than glassblowers, huffing and puffing and blowing up slender ideas-their own or others' -into some sort of shape for the screen. What has happened to fresh; honest, vital, original writing for the screen...

Author: /time Magazine | Title: Cinema: Industry & Art | 5/3/1948 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | Next