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Weak spots in an otherwise solid line-up are Elizabeth Meade as Alais, Henry's latest mistress, and Jeffrey Trescott as Philip, the French king. Slender and sweet-voiced, Meade looks and sounds perfect for the part, but her emotional range is limited to a state of placid melancholy. Trescott is simply not commanding enough in his role as monarch: he exudes hints of cunning, but none of the regality or stateliness which set Henry apart. Nevertheless, both Meade and Trescott, starting out stiffly, get progressively better as the play goes...

Author: By Julia M. Klein, | Title: Masks and Machetes | 3/24/1977 | See Source »

...these permissive days it is hard to imagine what sort of female could be talked about in such a way. One half expects a practitioner of cannibalism or perhaps a worshiper of Baal. In fact, the object of all this vituperation is a small (5 ft. 5½ in.), slender (124 Ibs.) Miami housewife who believes passionately in the virtues of middle-class monogamy. Now 39, she came from a poor family in Mansfield, Ohio ("I grew up on peanut butter sandwiches"), and worked as a beautician to send herself to Ohio State University. There she became May Queen, having...

Author: /time Magazine | Title: The Sexes: The New Housewife Blues | 3/14/1977 | See Source »

After Senator Pat Moynihan introduced his fellow New Yorker as a man by whom the CIA "will be well served," the slender, bespectacled Sorensen took over. Looking grim and even more somber than usual, he read a vigorous ten-page rebuttal of what he called "scurrilous and personal attacks." When he had finished, he picked up another piece of paper and began reading from it. "It is now clear," he said, "that a substantial portion of the U.S. Senate and the intelligence community is not yet ready to accept as director of Central Intelligence an outsider who believes...

Author: /time Magazine | Title: THE ADMINISTRATION: CARTER TAKES HIS LUMPS | 1/31/1977 | See Source »

...enthusiastic audience, which included a large proportion of emigre Russians, students and critics, fastened on Kremer's gaunt, almost spectral appearance as well as his spellbinding playing. Whatever a Soviet fiddler should look like (Oistrakh was round and beefy, his rival Leonid Kogan short and slender), Kremer does not fit the image. His is more that of an intellectual rock-'n'-roll star badly in need of a square meal. He weighs but 125 lbs. and consequently looks a foot taller than his 5 ft. 9 in. He wears his brown hair long and his sideburns...

Author: /time Magazine | Title: Music: Gidon Kremer: Gaunt and Gripping | 1/24/1977 | See Source »

...arts it is always risky to equate states of mind with states of body, but Karajan's music did have a new intensity and purposefulness to it. Indeed, Karajan seemed at the peak of his interpretive power. As the slender, autocratic figure took the podium, one missed the old athletic spring. But not in the music. In fact, one could not detect any of the attenuated striving for effect, rather than meaning, that has marred many of Karajan's recordings in the past five years...

Author: /time Magazine | Title: Music: Karajan: A New Life | 11/29/1976 | See Source »

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