Word: slicings
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Dates: during 1980-1989
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Desserts these days are rarely what they seem. What looks like a slice of - chocolate layer cake is really a reward for jogging those extra two miles in the morning. A towering wedge of vanilla-scented cheesecake, laden with calories, is no more than fair compensation for eating only salad or fish for lunch. And warm apple pie a la mode is not the obvious self-indulgence it once was, but a vital, midday energy booster for a deserving workaholic. Whatever the reasons (or sweet excuses), desserts are back in style with a vengeance, in restaurants and bakeries, even...
Schorner has just opened his own rose-pink confection of a bakery-cafe, Patisserie Cafe Didier, in Washington's Georgetown, where chocolate cake ($2.50 a slice) and cream-puff swans ($2 each) are among the offerings. "Desserts sell better when they are beautiful," he notes, "so decorating is important...
Greedy promoters and government bungling helped mire the communities in their fix. But the root cause was nothing more sinister than the hope of the down-and-out for a slice of the American dream. Since the '60s, low-income families from El Paso's barrio, 15 miles to the northwest, have been moving here, lured by the open spaces and the hype of half-acre lots for as little as $1,000 down and $100 a month. Water, they were assured, would be forthcoming. And it was, until 1979, when the influx became such an avalanche that El Paso...
Some of the more intriguing experiments are going on in local TV studios. Good Evening, Moscow!, a daily news and commentary show on the Moscow channel, sends out a young journalist with an "express camera" to film slice-of-life vignettes on city streets. The show also cajoles officials to take the hot seat for questions called in by viewers. The Leningrad channel broadcasts the provocative cultural digest Fifth Wheel, focusing on "superfluous people" in the arts and letters, as well as the offbeat 600 Seconds news show, in which commentator Alexander Nevzorov races against a flashing digital clock...
...hard-boiled genre, the most ironic triumph is Charles Willeford's The Way We Die Now (Random House; 245 pages; $15.95), a snake-mean slice of South Florida lowlife that might finally have brought overdue recognition if its author had not died in March of this year. Haitian illegal immigrants and Cuban Marielitos are among the supporting victims and sleaze artists in a multiplot story featuring a ruthless but effective cop whose beat is long- unsolved murders. A.E. Maxwell's equally colorful Just Enough Light to Kill (Doubleday; 254 pages; $16.95) blends Soviet high-tech espionage with striking tableaux...