Word: slicked
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Ingram opened the scoring with 14:41 remaining in the first half when she scored unassisted off a slick piece of stickwork at the top of the circle...
Creator David E. Kelley (Ally McBeal) is no stranger to provocative, zeitgeisty premises, and in theory this slick private-eye series is a Lewinsky-era doozy: privacy-invading, sexy investigations by sexy investigators using high-tech, extra-constitutional means. But he's done little more with it yet than find excuses to get his babe-licious P.I.s into halter tops and hooker outfits, a setup spiced up with Moonlighting-style banter between Gina Gershon and Paula Marshall. Gershon's sneering, sex-as-a-weapon swagger is an asset, but the product so far is predictable, sometimes amusing eye candy...
...Blair Witch Project is being touted as a long-awaited antidote to the slick, overhyped, multimillion-dollar products of Hollywood, and that is just what it is. It stands for the proposition that with only a shoestring budget, inferior equipment, no script and three of the most unattractive, foulmouthed performers imaginable, you too can make a movie that is every bit as rotten as anything ever dreamed up by the major studios on a bad day. THOMAS A. DIMAGGIO York...
...good deal of the freakish imagery in Cremaster 2, that Barney is serious about bees morphing into male bodies oozing sexually with honey; about a seance medium whose face is pierced with rivets. But that is one of the most intriguing things about him: in an age of slick ironists cool beyond belief, Barney is a dead-earnest symbolist plummeting through the rabbit hole of his own nutty logic. You may not get everything that you see. And certainly you may not enjoy it. But it fascinates all the way down...
...courtesy of low-budget independent films that, like The Blair Witch Project, arrive unheralded from outside the Hollywood mainstream to chill us with their grungy lack of artistry. These films disorient moviegoers by removing the usual Hollywood guideposts that subtly reassure us it's only a movie: recognizable stars, slick production values and a respect for ordinary dramatic conventions--like the triumph of good over The Evil. Only after we're planted in our seats, eyes bulging out and hands gripping the armrests, do we realize we're at the mercy of people who don't play by the usual...