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Word: slicking (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

This was hardly the passing of a literary giant, though at various times Jean Cocteau, Henry Miller, C.P. Snow, and Andre Gide each admired Simenon's slick perfection of the roman policier genre. Yet it was a curious change for a man in his seventies, a change made still more curious in the next year by the sale of his estates, the disruption of his supremely sedate life, and the abandoning of his ordered creative habits. Something new in his writing seemed to be in the offing; like one of those inconsistencies that pop up so frequently in his novels...

Author: By Christopher Agee, | Title: An Auto-Roman Policier | 2/27/1976 | See Source »

...with splintering metallic rumbles that build up steam and reach a feverish, hand-clapping pitch by the ends. None of which would mean anything without the hooks, which are especially abundant and prehensile. In fact, it seems Bowie has subordinated everything to them. The musicians play anonymously (Earl Slick's keening feedback on the beginning of "Station To Station" notwithstanding), and there is little of the musical richness of earlier albums. There aren't even any strings or saxes. What Bowie has done is to concentrate his energies on creating various succinct and catchy integrations of riff and lyric. Sounds...

Author: By Brad Collins, | Title: David Bowie and Falling Glitter | 2/26/1976 | See Source »

...hasn't found its true from yet. Neither a paperback nor a resolutely bound hard-cover edition, it consists of a few pages, with an occasional misspelled word, tucked stiffly into a cardboard cover and secured by staples along the slender crease. It's a trial publication without the slick veneer that cajoles you into buying a book on sight...

Author: By Anemona Hartocollis, | Title: Talk Me Down | 2/25/1976 | See Source »

...monomania for blasting Carter as a "reactionary," which is all very fine, but misrepresented his positions on the death penalty, aid to New York City and right-to-work laws, which is not. Cockburn's penchant for hyperbole is particularly regrettable since his more general case, that Carter is slick and exhibits rightist tendencies, is a convincing one. The real hatchet job, though, appeared in Harper's last week. One of the feistier dirtdaubers in Atlanta, Steven Brill, weighed in with a piece, "Jimmy Carter's Pathetic Lies," that produced the biggest stir in the campaign to date. Carter Press...

Author: By Robert T. Garter, | Title: A La Carter | 2/21/1976 | See Source »

...film goes most disastrously wrong when it tries to turn slice-of-life realism into full-scale melodrama. At first it is interesting, and funny, when Travis becomes obsessed with a cool socialite (Cybill Shepherd) who is a campaign worker for a too slick, too vacuous presidential candidate. Their relationship begins with his following her around at a distance, proceeds to his awkward efforts to date her, ends when he takes her to a skin flick. It makes a nice little essay in the confusions of cross-cultural courtship. However, Travis' failure as presented is more farcical than tragic...

Author: /time Magazine | Title: Cinema: Potholes | 2/16/1976 | See Source »

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