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Word: slickly (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

Been a long twilight for the good working-class people of Hadleyville, Pa. Detroit closed the car factory, and life is desperation on the dole. For bad times, big gambles: send slick-shaggy Hunt Stevenson (Michael Keaton) to Tokyo so he can persuade a thriving Japanese automaker to establish a plant in his hometown. Then, when the do-it-our-way executives of Assan Motors demand that their American employees work harder for less money, have Hunt convince his pals, speciously, that there is a pot of gold at the end of the assembly line. Poor, distraught workers, when they...

Author: /time Magazine | Title: Cinema: Hanging Tough Gung Ho | 3/31/1986 | See Source »

Lobbyists call themselves lawyers, government-affairs specialists, public relations consultants, sometimes even lobbyists. They offer a wide array of increasingly sophisticated services, from drafting legislation to creating slick advertisements and direct-mail campaigns. But what enables the big-time influence peddlers to demand upwards of $400 an hour is their connections. "I'll tell you what we're selling," says Lobbyist Frank Mankiewicz. "The returned phone call...

Author: /time Magazine | Title: Peddling Influence | 3/3/1986 | See Source »

...know whether or not I would have passed up the Honda if I had won--yeah, I put my name in the box like everyone else--but my conscience breathed a sigh of relief when the slick PR man crooned, "Peter Grossman, of Ithaca. New York, come on down...

Author: By Jessica Dorman, | Title: Behind the Brouhaha at Barton | 2/25/1986 | See Source »

...believe Power Station, the Elis will be the ones sweating tonight. Cozy little Bright Center will be cooled down to give the Crimson the slick ice it needs to skate circles around the hulking Elis...

Author: NO WRITER ATTRIBUTED | Title: Power (Station) Plays at Bright Center | 1/31/1986 | See Source »

...come turned away from a boyish faith in gadgets and toward a kind of timeless, spacy mysticism. In the late 1940s streamlining and art-deco angularity were abandoned in favor of more approximate, biomorphic forms from nature--lamps shaped like bubbles, coffee tables shaped like amoebas. Too bad. The slick Radio City elegance had been a bit hokey, but at least each object made obvious sense: hard angles, parallel lines and parabolas are precise, mathematically simple. Except for the work of a very few artists, such as Isamu Noguchi, most biomorphic furniture is like free verse, the lines undisciplined...

Author: /time Magazine | Title: Design: The Shape of Things to Come | 12/23/1985 | See Source »

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