Word: slide
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Dates: during 1960-1969
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...this freedom, color, and imminent economy extends to whole buildings of plastic. At the show one can walk through several free-form hive-like buildings made by spraying polyurethane foam over a fabric frame. In one of these structures there's a slide show demonstrating the process of mush hardening into a building. And there are pictures of a house made from the hive modules by Yale School of Art and Architecture Professor Felix Drury and his students...
...carries the Schweyk figure through to our time troubles. Although the guts of his production is drawn from Brecht's text, it is framed in a nicely articulated image of Sanctuary, complete with detailed instructions of nonviolent self-defense and free legal aid, and embellished with a drivingly contemporary slide show. Schweyk in sanctuary, the Schweyk of the moment, is really a third distinct figure. His aims and methods remain the same, but his open declaration of the will to survive, and better, is something very new. Mr. Bloch's production suggests that the tactics of Schweyk remain valid, being...
...Snakish Slide. To prove his point, Davis is currently engaged in a Berlioz bash during a four-week guest stand with the New York Philharmonic at Manhattan's Lincoln Center. At the opening concert, devoted entirely to Berlioz works, the audience clearly got the idea of what Davis means by voltage and terror. The first composition was the overture to Les Francs-Juges, an unfinished opera about the secret vigilante courts that terrorized Germany in the Middle Ages. The overture, as Davis says, "has a sort of white-hot energy. In the middle there is the most pathetic, square...
...overture was followed by the maligned Cléopâtre composition, sung by Mezzo Beverly Wolff, and several excerpts from the dramatic symphony Romeo and Juliet. The first is charged with imaginative pictorial touches-for example, the snakish slide of the violas and cellos as Cleopatra clasps the asp to her bosom. In Romeo and Juliet, Berlioz shows that he can be as tender with Shakespeare's young lovers as he is terrifying with Cleopatra. Berlioz did not, however, always have to rely on emotional pressure. The overture to the comic opera Beatrice and Benedict, which Davis played...
...money has started to go the other way. Partly because of balance of payments considerations and partly because European laws and work practices are discouraging some U.S. companies, new U.S. investment in Europe this year will run about 4% under the prevailing $3 billion annual rate, and may slide even farther next year. Meanwhile, the value of European-owned plants and equipment on U.S. soil is rising sharply. The total crept up from $2.2 billion in 1950 to $7 billion last year, will sprint to $10 billion this year. That may be only the beginning. In a recent speech before...