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Splendor & Slime. David Stacton has been brilliant and exasperating before this. In a dozen earlier novels he has illuminated dark corners of everything from ancient Egypt to feudal Japan, from the gory Renaissance legend of the Duchess of Amalfi to the aftermath of the assassination of Lincoln. In each, over the violent pulse and slash of ancient action broods a satanic modern intelligence. He is unique for the wit and sinewy pertinence of his asides. And until now, his story lines have also been clearly muscled, if often knotty...

Author: /time Magazine | Title: Books: A Banner on a Muddy Field | 2/26/1965 | See Source »

Because the ball will become heavy and slippery in the mud, there should be very few back movements and the ball will probably stay with the forwards. This will make for a close, rough, and slow moving game. The slime was deep enough yesterday for two ducks to take a few practice laps across the field...

Author: NO WRITER ATTRIBUTED | Title: Burly Ruggermen Face M.I.T., Mud; Scrum Will Control Season Opener | 4/16/1964 | See Source »

Among the city's slime, washed over our river edges...

Author: NO WRITER ATTRIBUTED | Title: Winning Poems: The Moods of Summer | 8/13/1963 | See Source »

Studies in Slime. If anything justified the expedition, Author Herold believes, it was the ten volumes of text and 14 volumes of plates that comprise Description de I'Egypte. That monument of collective scholarship was assembled by the 167-man Commission on the Sciences and Arts that Napoleon brought with him to establish a cultural institute in Alexandria. The assembled scientists interspersed papers like "Observations on the Wing of the Ostrich'' and "Analysis of the Slime of the Nile" with studies on capillary attraction, the treatment of smallpox and bubonic plague, the formation of ammonia...

Author: /time Magazine | Title: Books: Sketches in Bullets | 4/19/1963 | See Source »

...trying to paint the track left by human beings-like the slime left by snails." Francis Bacon says this evenly, not trying to shock, but not joking either. His canvases seem to many to be ghastly views into torment,half-decomposed portraits of things better left unpictured. But no one denies their power: put up last week in a big show at the Tate Gallery, they hit London like a slap in the face with a hunk of raw meat...

Author: /time Magazine | Title: Art: Distort into Reality | 6/8/1962 | See Source »

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