Word: slims
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Dates: during 1970-1979
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...make his entrance into historical fiction. McKay himself, the owner of the bees, was a contemporary of this crowd, though not of the same public stature, in fact, very little has been written about him: he made a fortune in shoe-manufacturing, and the Pusey Library archives hold a slim volume on the gigantic endowments he left to Harvard. Though he arrives at his true life circumstances by the end of the novel, McKay first undertakes a long fictional journey to Kansas and back. McMahon has given him depth, complicated his life, and intersected his life with other', real...
...BEST GUESS RIGHT NOW is that Kennedy will nab between 35 and 40 per cent of the delegates selected. Even if Kennedy wins today Carter can still count on the vast majority of the officially picked representatives. But the slim Carter victory that most predict may still be "perceived" was a loss. The president's political ship is slowly sinking. Any less than a landslide in the once-secure South could spell media doom for the man from Georgia...
...brow as it flew over my head. He thought I didn't understand and he wanted to teach me. He pointed out that most of the people at the bar were queens or prostitutes. So I looked at all those elegant women with dresses slit high up the slim leg and cut low down the smooth chest, and asked whether our barmaid Mickie...
Author John Barth, 49, began his career in the guise of a realist with a somewhat spooky sense of humor. The Floating Opera (1956) and The End of the Road (1958) appeared as slim companion pieces; they pivoted on the same philosophical question, i.e., how to impose values on a neutral universe; and both dwelt on despair as a source of grim comedy. But they were also set in a recognizable version of Maryland's Eastern Shore and populated with conventional characters. The Sot-Weed Factor (1960) changed course. An encyclopedic parody of 18th century English picaresque fiction...
...successful and reputable New Hampshire art auctioneer, Straw bought his first painting for $75 when he was 14, and at 22 opened his first gallery, in Newburyport. He was already well connected with regional dealers and collectors, and his business prospered. A slim, impeccably dressed young man, he went to church every Sunday and always paid his bills on time. His obvious expertise inspired confidence. So did his gallery's handsomely printed brochures. Says one of Straw's creditors: "The art business is filled with horse-trading. Steve had the ability to horse-trade and maneuver...