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ALTHOUGH FISH-NET STOCKINGED Kit Kat Klub Girls flirtatiously slink into the audience early on the Cabot House Production of Cabaret never completely ensnares us. The play offers views of both a presumably typical Berlin music-hall in the early 1930s and the particular strains on relationships at the time, but occasional unevenness and sluggishness in performances and direction too often dispel strong promises for both lasciviousness and poignancy. Unfortunately, even several strong performances and specific scenes cannot carry this tale of decadent. Nazi-ascendent Berlin...

Author: By Abby Mcganney, | Title: Cabot-aray | 5/4/1984 | See Source »

...Nicky Henson) appears, not to show the house but to have a weekend shack-up with his Popsy (Rowena Roberts). He knows that the couple who own the house have slunk off to Spain for a tax dodge. What he does not know is that they are about to slink back. In no time, sheiks and burglars are added to the mix, along with the mandatory defrocking of women and the depantsing of men and doors popping open and slamming shut as if by the ghost of Feydeau...

Author: /time Magazine | Title: Theater: Pride of the London Season | 7/12/1982 | See Source »

...French fashion industry is retaliating with standard operational disdain. "I think Italian designers are certainly worth encouraging," sniffs the mighty Givenchy. "I've never been into Armani's boutique here, or that of any other Italian designer," claims Sonia Rykiel, Parisian designer of knits that seem to slink under their own power. "The French have all the Italian skills and madness and creativity. Quite honestly, I can't name you a really crazy Italian designer...

Author: /time Magazine | Title: Giorgio Armani: Suiting Up For Easy Street | 4/5/1982 | See Source »

Then they slink back to Novasibirsk. In the meanwhile, they are again put through the critical wringer, Soviet films fascinate us: they are treated with all the pathological and slavish prurience of contraband. It's a wonder they all don't just buy a tract of land in Vermont and hide away forever behind a hundred yards of barbed wire fence...

Author: By Thomas Hines, | Title: Filmpolitik | 8/11/1981 | See Source »

...camera doesn't mean she can act. She can't. Tarzan, the Ape Man. John Derek's latest Let's-Look-at-My-Wife offering, makes this painfully clear. To call her a bad actress is to make a gross understatement. Unlike "10," which asked only that Bo slink around a beach and look pretty--of which she is eminently capable--Tarzan demands that she exhibit a wide range of emotions, and that's where she fails miserably. When she is supposed to be frightened, she squeals: when she should laugh, she giggles; and when she should weep, she whines...

Author: By Charles W. Slack, | Title: Take My Wife...Please! | 8/7/1981 | See Source »

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