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Three years ago, Clint Eastwood-an unshaven, slit-eyed refugee from television's Rawhide-was glad to get an invitation from Italian Director Sergio Leone to star in a hokey little quickie to be shot in Spain. It was called A Fistful of Dollars, and the title proved prophetic: the picture was a smash. Leone and Eastwood collaborated again on For a Few Dollars More. Now they are back with The Good, the Bad and the Ugly-a title that might serve as the film's own capsule review...

Author: /time Magazine | Title: Cinema: The Good, the Bad & the Ugly | 2/9/1968 | See Source »

...decided that he is just right to play the kind of strong, silent, outdoor roles that once went to Gary Cooper. His next epic is MGM's Where Eagles Dare, in which he co-stars with Richard Burton and plays an officer of the U.S. Rangers (unshaven and slit-eyed, of course) fighting Nazis in the Alps. That film will make him $500,000 or so. After that, he will take home $600,000 from Alan Jay Lerner's western musical, Paint Your Wagon...

Author: /time Magazine | Title: Cinema: The Good, the Bad & the Ugly | 2/9/1968 | See Source »

...long hill bordered by paint-peeling houses. Nine years ago, before Fidel Castro's sudden revolution, American tourists used to take a taxi up the hill into Cuba's gleaming capital. Today, there is almost no traffic on that road. The real center of power is elsewhere. The slit-windowed, modern United States Embassy on the seafront no longer dictates the politics and the economics of this island. The scrupulously neutral Swiss now handle American interests in Cuba, and that means handling the unceasing trickle of Cubans who have had enough of Fidel's revolutionary politics, pressures and problems. They...

Author: By Thomas B. Reston, | Title: Cuba's Refugees | 12/18/1967 | See Source »

...Modern Warlord. The squabble is not concerned with the growing or gathering of opium; that job belongs for the most part to such primitive tribesmen as the Meo, Ekaw, Bolong, Wa and Yao, who slit the poppy-seed pods for their resin, boil it into sticky raw opium, and roll it into loaves of one to five pounds. The fight grows out of a jurisdictional dispute between tribute-collecting soldiers and smugglers who deliver the stuff into the hands of the two Chinese syndicates that control the opium export from Laos...

Author: /time Magazine | Title: Laos: Flower Power Struggle | 9/8/1967 | See Source »

...plot, some real outdoor landscape, and a cast that looks even meaner than he does. As before, acting is forbidden; histrionics are kept to a contest of who can give his lip the tightest curl and who can give his eyes the narrowest squint. The competition results in a slit decision between Eastwood and Lee Van Cleef, another Hollywood-to-Italy refugee cast as a rival bounty hunter...

Author: /time Magazine | Title: Cinema: Western Grand Guignol | 7/21/1967 | See Source »

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