Word: slitting
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SUPERMAN, a musical comedy in two acts, is cleverly set against a comic-book backdrop of the city of Metropolis. In the upper left-hand corner of the stage is the "DC Comics" logo. Superman--played by Randy Stone '78--first appears by stepping out of a slit in the painted-on telephone booth. One has the sense early on in the show that Superman--and indeed all of the characters--step off the pages of a comic book onto the stage. Later on in the play, rather than use regular furniture in the Daily Planet newsroom, Borowitz utilizes flat...
Gregory Peck has gleefully transformed himself into a hulking, slit-eyed, "embodiment of evil." He isn't as awful as you'd expect--he tries hard and he can't help the screenplay, but as an actor he tends to be as stolid and uninspired as this movie. You could, in fact, label The Boys from Brazil "the Gregory Peck of thrillers." But there are compensations...
...Curves and limbs crawl sinuously out from long, slit-up skirts and blousy, waist-less layers...
Weak arms tucking a three-month-old child Sixteen and hunched half over the bed and half over the love magazine spread on the low table She chews then moves belly first. shifting her curlers Blowing the smoke from her lungs as the morning shudders through the caked slit by the door...
...except that it epitomizes everything wrong with most movie thrillers these days: they have become clinical. Directors like Michael Crichton and William Friedkin put their audiences under the scalpel, and so far audiences have responded enthusiastically. Even good movies like Marathon Man are so crammed with sliced hands and slit throats that they're hard to watch, and films have to be gorier and gorier now to make an impression. It's part of a de-sensitizing, or perhaps, in the case of Coma, an anesthetizing of the audience. No wonder audiences are bored with those wonderful Val Lewton films...