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...that is to sell the film short. Duelist?s hyper-romantic impulses and lush symphonic music, plus the backlighting, the stately swordplay, the fat snowflakes, not to mention more slo-mo shots than in a Wong Kar-wai retrospective - all these effects heroicize the enterprise, making it something to gaze upon but not enter into. Indeed, one doesn?t watch Duelist so much as window-shop for fabulous cinematic fashions. Its art direction and lovely mannequins take film style to the outr? limits...

Author: /time Magazine | Title: The New Eastern Standard | 6/23/2006 | See Source »

TiVo and DVR Obsessive fans use TiVo and other such devices to examine the show in slo-mo, frame by frame. Like conspiracy buffs poring over grassy-knoll photos, they have found figures lurking in mysterious smoke and elsewhere...

Author: /time Magazine | Title: The Lost TV Monster | 3/5/2006 | See Source »

Hong Kong's Wong Kar-wai believes two things: love hurts, and its pain can be beautiful to see. In Wong's 2000 romance In the Mood for Love, Maggie Cheung and Tony Leung Chiu-wai circled each other in slo-mo for an hour and a half, and their almost-touching sparked more erotic heat than a dozen Jenna Jameson epics. 2046 is a kind of sequel, with Leung languidly courting a quartet of beauties: a prostitute (Ziyi Zhang), a vamp (Carina Lau), a gambler (Gong Li) and the elfin girl of his dreams (Faye Wong). That gives...

Author: /time Magazine | Title: 12 Delights of Christmas | 12/19/2005 | See Source »

...movie; his subject is love, how it hurts, and how beautiful a sight that pain can be. Like Bergman, he has made a sequel to a favorite earlier film. In the 2000 romance In the Mood for Love, Maggie Cheung and Tony Leung Chiu-wai circled each other in slo-mo for an hour and a half, and their almost-touching sparked more erotic heat than a dozen Jenna Jameson epics. In the new film Leung plays a harsher version of the same character, as he languishes in room 2046 of a Hong Kong hotel and half-heartedly courts...

Author: /time Magazine | Title: Best of 2005: Richard Corliss' Top Films of the Year | 12/17/2005 | See Source »

Director Wong Kar-wai is an art-house fave for his slo-mo studies of Hong Kong's lost souls. But the secret reason for the success of his avant-noir films is simple: he's the world's most romantic filmmaker. His iridescent images detail love's anguish and rapture. Great-looking women throw themselves at cool guys, and the men often step aside. Love, the playwright Terry Johnson wrote, is something you fall in. Wong's films make art out of that vertiginous feeling. They soar as their characters plummet...

Author: /time Magazine | Title: Movies: 2046: A Face Odyssey | 8/1/2005 | See Source »

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