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...rare common sense... the kind which seems so utterly obvious once we have encountered it and cannot image the ignorance we bore earlier--which one senses in Thoreau, Orwell, and occasionally, E B White Hence. Hoagland's best stuff in The Tugman's Passage, the two essays "The Ridge-Slope Fox and the Knife Thrower" and "Women and Men," sparkle...

Author: By Daniel S. Benjamin, | Title: A Keen Eye, A Pure Voice | 4/20/1982 | See Source »

...Ridge-Slope Fox and the Knife Thrower" in both the book's best and most freewheeling essay. In it Hoagland seems more than anything else to meditate simply and carefully on the complexity of life. Again leaping from one topic to the next, he exults in his sightings of animals while wondering if he will catch a glimpse of the fox and then considers what an ordeal solitude actually is, despite its perverse and mostly pseudo-intellectual glamour. Then he considers the differences of life in the city and the country (it is not exactly that life is slow...

Author: By Daniel S. Benjamin, | Title: A Keen Eye, A Pure Voice | 4/20/1982 | See Source »

...military power near Seoul a fortnight ago, they were protected by a shield of thick bulletproof glass and surrounded by heavily armed presidential bodyguards. VIP spectators at the military display had been carefully screened before being invited, and were required to pass through metal detectors set up on a slope near the target area. News cameramen were kept 328 ft. from the presidential bunker and warned not to point their cameras at the President "or the guards might open fire...

Author: /time Magazine | Title: South Korea: Flashbacks | 4/19/1982 | See Source »

...pilot wants to fire until the last bullet, and so we circle around the firing zone over and over again, corkscrewing to favor our "good side." The last ammo finally runs through the gun only when the light has gone and the sun is sitting pale on the slope of the volcano...

Author: /time Magazine | Title: The Hunters Are Hunted | 3/15/1982 | See Source »

...architects, Kevin Roche John Dinkeloo & Associates, designed nearly an acre of elegant, muted space with such tact that the architecture never overwhelms or interferes with what it displays. Its climax is a slope-walled glass house-a twin to the gallery that houses the Egyptian Temple of Dendur on the other side of the museum-that contains the largest of the wooden figures. Enormous trouble was taken to safeguard the perishable organic materials of tribal art, the hair and wicker and wood and feathers, against the vagaries of New York's climate. Between them, the building and installation cost...

Author: /time Magazine | Title: Art: Primitive Splendor at the Met | 2/8/1982 | See Source »

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