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...race for the championship. “I don’t think you can deny that we were looking to get the title,” Orler said. “It’s kind of hard when you know you have to take that No. 1 slot and the racing just doesn’t work out in your favor on that day. You always hope that you’ve found more speed than the other [crew] since the last meet, and it doesn’t always work out that...

Author: By Gabriel M. Velez, CRIMSON STAFF WRITER | Title: Radcliffe Captures Bronze at IRAs | 6/4/2006 | See Source »

...Labyrinth was shown Saturday, the Festival's final day of competition. That's the graveyard slot here. By the 11th day, many of the Cannes conventioneers have departed, and the Jury presumably has a good idea of their award preferences by then. For a last-day film to win the Palme d'Or would be like a public access show at two in the morning copping the top spot in the Nielsen ratings...

Author: /time Magazine | Title: Pan / Sexual | 5/27/2006 | See Source »

...Shortbus is a nice, funny, romantic comedy-drama about relationships among "the gifted and challenged" in post-9/11 New York City. It could slip comfily into any slot at the Sundance Film Festival, except for one thing: it has lots of explicit, hard-core...

Author: /time Magazine | Title: Pan / Sexual | 5/27/2006 | See Source »

...sometimes brittle player who has about 20 IQ points on everyone else in Washington, may have assumed that he would get Treasury in exchange for backing up Condoleezza Rice at State for two years. But if there is no real chance to make economic policy in the Treasury slot, Zoellick probably doesn't belong there. A more likely candidate now is Commerce Secretary Carlos Gutierrez, a 53-year-old Cuban-born former CEO of Kellogg. He has the great virtue of certain confirmation, and boasts the kind of Main Street business background that Bush seems to prefer. But a horse...

Author: /time Magazine | Title: The Toughest Cabinet Job in Town | 5/25/2006 | See Source »

...wildly ambitious, on the order of D.W. Griffith's three-hour, four-part, epoch-straddling 1916 film Intolerance. One would expect as much from Aronofsky, a young director with an original, powerful vision. But The Fountain dropped out at the last minute, reportedly because the programmers offered it a slot out of competition for the Palme d'Or and Aronofsky wanted to compete with the big boys. Now critics will have to wait till the fall to see if they would have slotted it in their own imaginary, ideal film festival...

Author: /time Magazine | Title: Postcards from Cannes | 5/22/2006 | See Source »

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