Word: slow
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Dates: during 1960-1969
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...border for hit-and-run sabotage and terrorism. Watching for them on the southern side are 12,000 U.S. troops of the 2nd Division, who guard the 18.5-mi. American sector, and 250,000 South Korean troops, who patrol the rest of the 151-mi. DMZ. To help slow down the Communists, an 11-ft.-high chain-link and wire fence runs the length of the zone; it remains under constant surveillance by U.S. and South Korean troops, who hole up in sandbagged guardposts with grenade launchers and submachine guns. Originally the guardposts were merely lookouts but, points out Captain...
...power, to dominate those he meets on the road." And no where is the species more homicidal than in France, whose drivers are peculiarly susceptible to "vanity, excessive impetuosity and bad manners." A recent altercation in Paris eloquently illustrates the diagnosis: annoyed when he was delayed briefly by a slow-moving panel truck, the driver of a Citroën sedan sped around it, whipped in front of it in an insulting maneuver known locally as a queue de poisson (fishtail swerve), then forced the truck to stop and shot its driver...
...shocking. Peopled by the likes of the menacing Colthurnus (David Palmer) the phantom prompter of the play-within-the-play and the stock, intuitively and irrepressibly daft Pierrot and Columbine figures, played by Jeffrey Blum and Lorraine James, of the play-without-the-play, the production seemed to slow down irreparably midway through. But Dean Ahmed, directing, manages to frame an unexpected climax to end the play on a note of crotchety sarcasm. The vivid costumes and masks were designed by Ellie Meglio...
Eugene McCarthy also complained that Johnson was too slow in agreeing to a site for peace negotiations. In Pittsburgh, he suggested that Secretary of State Dean Rusk be dismissed as a "symbolic" gesture, and in Philadelphia, though he later hedged the idea, he proposed that the U.S. pay ransom to North Korea for the return of the U.S.S. Pueblo's crew...
Interior Arrangements. The film opens with a slow, evocative long shot of an open coach moving through the autumn leaves along the driveway of an estate. In the back sits Severine (Catherine Deneuve) and her husband Pierre (Jean Sorel). They exchange affectionate pleasantries. Abruptly he orders the landau stopped; the coachman and footman drag Severine screaming through the woods, strip her half-naked, string her up to a tree and whip her. Suddenly the scene shifts and she is in her bed, chaste and composed. "What are you thinking about?" asks Pierre. "About us," she says. "We were...