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Word: slow (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...little of the incisive wit or brilliance that might scare off the natives. He speaks the language of the east, which is to say he pronounces his words with a heavy Republican accent, and with the marked deliberation of a man who is either sagely cautious or just plain slow. No one is quite sure which label fits Perry Duryea...

Author: By Francis J. Connolly, | Title: A New York State of Mind | 10/20/1978 | See Source »

...Slow poison is poison nonetheless, and "minimal damage" amounts to gross environmental disturbance...

Author: By David A. Demilo, | Title: Seeing Through the Apocalypse | 10/19/1978 | See Source »

...problem with Hot Streets is its narrow focus on love and the loss of love as song subjects. Only the fact that Chicago can do a love song in a great variety of styles and patterns--from slow and moody, to light and airy, to classic bop-bop-bop hard rocking--saves the album from an over-specialization of theme. Still, one wishes they would throw in a few of the political songs they once did, before the '70s musical paradigms ruled out everything but immediate gratification as valid musical topics...

Author: By Eric B. Fried, | Title: Alive Again | 10/18/1978 | See Source »

John Oates, who often writes slow and soft tunes, turns out a nice cut on Along the Red Ledge, with "Melody for a Memory." The pair make good use of string orchestration to provide a backdrop for Oates' mellow voice, echoed by a Hall falsetto. But this is typical Hall and Oates stuff, basically no different from the music on albums like Bigger than Both of Us or the less-successful Beauty on a Back Street. What distinguishes Along the Red Ledge as a worthwhile contribution to current pop music is the work that comes alive on the second side...

Author: By Mark D. Director, | Title: Potpourri on the Ledge | 10/18/1978 | See Source »

Finally, John Oates follows up with an intriguing tune called "Pleasure Beach." Starting with a quiet, slow synthesizer backing Oates' soft, relaxed voice, the song shifts into the screams of a beach crowd mixed with a driving electric guitar riff that carries a vocal part adorned with a Beach Boys, teeny bopper harmony line. It's innocent, fun rock and one of the album's best offerings...

Author: By Mark D. Director, | Title: Potpourri on the Ledge | 10/18/1978 | See Source »

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