Word: sluggers
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Dates: during 1980-1989
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...double thumbs-up signal countless times to a crowd of tens of thousands that cheered as he led the Columbus Day parade up Fifth Avenue. In Cincinnati the next day, he swung a baseball bat after Ohio Governor Richard Celeste introduced him to another enthusiastic crowd as "the Louisville Slugger," a term the most zealous Democrat would not have dreamed of using before the debate in that Kentucky city. In Columbus later in the week, Mondale broke into a litany of sentences addressed to the President that began "You may think . . ."; after each the crowd, picking up a line from...
...with a golden voice. Sultry Rebecca De Mornay, 22, the schoolboy's dream who slinked and sashayed her way into Tom Cruise's house and heart in Risky Business, will appear as the rock-singing spouse of a homespun home-run hitter in a film called The Slugger's Wife. De Mornay's fantasy has always been to be a singer. So for the film she practiced long hours with Arranger Quincy Jones, and now several of her songs will be released as singles, at least one as a video. But De Mornay is not looking...
...tells them over and over again. "The devil made me do it" is a corker that had pretty well run its course when Flip Wilson retired it about a decade ago. Heller makes David say it no fewer than three times. Who can forget the noted humorist and slugger Reggie Jackson and his boast "I'm the straw that stirs the drink"? Certainly not Heller, who uses this line three times as well. The spirit of Woody Allen is sometimes summoned forth: "That which is crooked cannot be made straight, although with that one I believe there are psychotherapists...
...escapes more than work or home. One leaves oneself behind. The idea of holiday is a change of person, the remaking of oneself in one's own image. The baseball camp for adults, for example, where the bulky stockbroker, facing an aged Whitey Ford, can imagine himself the slugger he never was: that's a holiday...
...whole album permeates a sense of regression and risklessness; perhaps the most disheartening song on the album. "What Becomes a Legend Most," epitomizes this stepping back. A rip-off of Reed's earlier classic with the Velvet Underground, "New Age," the song signals an emptiness that has gripped this slugger. This man needs some new ideas. Limply rehashing old material does not become a legend...