Word: slumdog
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Dates: during 2000-2009
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...been a Bollywood icon for years, this man behind some of the most stunning movie soundtracks ever composed (chief among them the innovative score to Roja). But it's his music for this year's Oscar darling, Slumdog Millionaire that has made A.R. Rahman an instant hit with western audiences. Not only are sales of the soundtrack soaring as the film opens wide in Britain and the United States, but Rahman has been nominated for three Oscars - for best original score, as well as for the songs "O ... Saya" and "Jai Ho." (Read the behind-the-scenes story of Slumdog...
...worked on so many Bollywood epics, but Slumdog Millionaire was a film made by a team of Brits who set up camp in India. Was it a different experience, working on this film? Definitely. The way that [Director] Danny [Boyle] uses music in his films is completely different from even other directors in the West. He uses songs as scores, and uses each moment of music as a highlight, which is very exciting. So I knew he was going to mix the music very high, which normally is not the case in most films, where the music is mixed underneath...
...Listening to the Slumdog Millionaire soundtrack, every track sounds so different. I took a cue from how Danny did his other soundtracks. There wasn't one composer [on his previous films,] but rather so many people were involved. I asked him, "Can I do the whole score," and he said, "Definitely, if you have the time, I would love you to." But I wanted to innovate and to do justice to the film, so I tried to approach it as if each cue was from a different composer, with a different exoticness. So there's a very vintage '90s Bollywood...
...Apart from the renewed focus on India’s struggling underclasses, I hope that the lasting legacy of Slumdog is that it inspires a new generation of Bollywood producers to produce films that are at once psychologically credible and socially substantive. Decades ago, this happened regularly. The legendary Indian director Raj Kapoor reached his pinnacle by traversing the forbidden lines of religion, class, and sexuality in a movie about the romance between a wealthy Hindu boy and a poor Christian girl...
...Bachchan, perhaps a more constructive activity than trying to discredit Slumdog is to make a movie like it himself. As it stands, those who think that “pain and disgust” are the appropriate reactions for India’s “nationalists and patriots” are simply abrogating their responsibilities, then complaining when others pick them...