Word: slummed
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Dates: during 1990-1999
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...decades ago, the slum's misery would have raised few eyebrows. That was before Spain, dismissed as Europe's Third World backwater, shook off its authoritarian past and propelled itself into relative prosperity. As much as the quincentenary of its "encounter" with America, this country of 39 million is celebrating -- with justifiable swagger -- its breakneck pace of change since General Francisco Franco's death in 1975. Moreover, 1992 marks 10 years of stable democracy under Prime Minister Felipe Gonzalez , a pragmatic Socialist. And it coincides with Spain's integration into the European single market, a source of pride after decades...
...House system itself fails to live up to its promise of an environment that blend social and intellectual experiences. Students and tutors usually eat separately. Professors rarely leave the posh Faculty Club to slum in undergraduate dining halls. When they do, they sit together in intimidating clumps most students feel they can't approach...
...wife, Kamla (Shabana Azmi), two sons and a daughter. Hazari pulls a rickshaw for a living, under the auspices of the Landlord--known as the Godfather to the tenants--and his merciless son, Ashok. The story unravels as Max begins to help out at a free clinic in the slum that Hazari lives in. He starts out saying, "I hate sick people," but ends up finding a part of himself in them. By the end of the movie, he says, "I have never felt more alive than this...
...meets the Irish doctor, Joan (Pauline Collins), and he uses her as the supporting beam of his life in the village. Her selfless devotion to the cause of the diseased in the slum lures Max into the realm of the Calcuttan poor. He treats the lepers in the adjacent village, much to the horror of the paranoid denizens of his own village. The storyline takes twist after twist, placing a story within a story. The internal rivalry between the destitute lepers and the village of rickshaw-puller tenants is juxtaposed against the larger framework of animosity between the poor villagers...
MISSISSIPPI MASALA. Ethnic rancor in the deep South -- this time between a genial black businessman (Denzel Washington) and an Indian family emigrated from Africa. Director Mira Nair, who artfully depicted a boy's slum life in Salaam Bombay!, cannot make the human ambiguities compelling here. Characters - strike attitudes, not heartstrings, and seem stranded in a Mississippi mishmash...