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Word: slut (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Futz loves his pig. That isn't graffiti; it's a plot. Futz is an Appalachian farmer whose great pleasure in life is making love to a porker named Amanda. Naturally, his narrow-minded neighbors are upset. The village slut plots revenge on Farmer Futz after he invites Amanda along on a tryst. She persuades a local homicidal maniac to claim that he killed a village girl only after seeing Futz and Amanda in the throes of passion. That's grounds right there for the sheriff to grab Futz and toss him into jail, where the indignant...

Author: /time Magazine | Title: Cinema: Passion in the Pigsty | 11/21/1969 | See Source »

...author of the prize-winning Masturbation Now in the book) becomes a quack surgeon of Italian descent in the movie. The marvelous, obscene Aunt Livia character is transformed into a grotesque nymphomaniac, about as funny as a scrawl on a public bathroom wall. Candy herself becomes an aimless slut--hardly what the original work intended...

Author: By Frank Rich, | Title: Candy | 1/10/1969 | See Source »

...Allen, on the other hand, is delightful as the maid Toinette who brings about the final happy conclusion. In front of Argan's weakness, her insouciance and her defiance of the father's pomposity are refreshing. Over and over Argan calls her "a slut." In essence she is, and an enchanting...

Author: By Nicholas Gagarin, | Title: The Imaginary Invalid | 11/15/1968 | See Source »

Fire!, which ended Brandeis University's repertory season last week, scorches the stage with grief, fury, desire and despair. Framed in a set of huge bronze cubes appear the archetypal woman as mother, wife and slut and the arche typal man as son, father, husband and lover. They are not there to be joined to gether but to be rent asunder. "We must love one another or die," wrote W. H. Auden. Fire! proclaims that love is dead, God is dead, and man is dying. The playwright is a onetime actor now living in Europe who has adopted...

Author: /time Magazine | Title: Repertory: Fire! | 5/24/1968 | See Source »

Miss Horne's greatest triumph lay in overcoming her own substantial bulk. In the first act, largely because of Maestro Lewis' absurdly fast tempi in the Habanera and Seguidilla, her Carmen seemed only a winsome, fat slut, but the virtuosity of her singing and acting for the rest of the opera made it easy to believe every man in sight found her irresistible. Her sensuous voice moved with perfect flexibility from the dark richness of a Leontyne Price to the brilliance of a Birgit Nilsson. The weight of her low register in the Tarot Scene was miraculous, and the delicacy...

Author: By Stephen Kaplan, | Title: Carmen | 3/7/1968 | See Source »

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