Word: slut
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Dates: during 1980-1989
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...Despite some sluggishness, however, the lush colors used to capture often horrible scenes are visually fascinating. Even when you don't know what's going on, you become entranced by the mere look of the film. Also, Schygulla's performance is excellent: she's alternately the Virgin Mary in slut's garter belt or Bloody Mary wearing a false halo. At its core, The Marriage of Maria Braun is a story of the mental and moral devastation of war, told in a fashion much like "Alice In Wonderland...
...called me nympho. I was necking with boys like everybody else was. The first boy I ever slept with had been my boyfriend for a long time, and I was in love with him. So I didn't understand where it all came from. I would hear words like slut that I hear now. It's sort of repeating itself. I was called those names when I was still a virgin. I didn't fit in and that's when I got into dancing. I shut off from all of that and I escaped...
...personality. Bonnaire stars as the teen-age Suzanne in this doggedly unsentimental French film from Writer-Director Maurice Pialat. Suzanne's family has stayed together by corseting all hostilities. Then she discovers the power of her own erotic impulse. Overnight, Daddy's little girl is a slut in Mama's eyes, and the family falls into convulsions of jealousy and hatred. Like the off-Hollywood films of John Cassavetes, A Nos Amours is less drama than psychodrama; it wears its artlessness as a badge of intrepid truth-telling. Bonnaire's artlessness though, marks...
Tyrone is a failed actor with a tragedian's soul and a Broadway tinhorn's compulsion for self-abasement in bad booze and worse sex. Josie, the daughter of his Connecticut tenant farmer, has adopted the manner of a slut in order to hide her Madonna's heart. Their tragedy is that their one night of (sexless) love comes too late. From it they achieve not redemption but a brief, bittersweet memory; not" I enough, one suspects, to light their separate darkening paths into the future...
...book, describing the girls' growing sexual awareness. One sister, Celia, is separated from the others by her unique beauty and innocent charm as a teenager. Celia inspires mixed admiration, envy and anticipation from the other girls, who hear their mother warn of "Endless betrayal, maidens forsaken, drowned or turned slut..."even as they witness their sister's endless stream of romances. Chase builds her feminine voice from this distinct consciousness, rooted firmly in the girls' sexuality...