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Word: sluts (lookup in dictionary) (lookup stats)
Dates: during 1920-1929
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Usage:

...live." Marie Antoinette was a lovely martyr in white dimity and ash-gold hair; Louis, her royal spouse, a wistful dullard who would have made an honest artisan. The worldly cardinal who passionately loved Antoinette nevertheless caused her miserable downfall because he was the dupe of a scheming court slut. This clever minx stole the necklace, implicated the queen in the scandal, but herself rode screaming and scratching to the Bastille...

Author: /time Magazine | Title: Books: Touching History | 11/26/1928 | See Source »

...Betters was written twelve years ago by famed William Somerset Maugham as an indictment of those unfortunate U. S. women who, by purchasing the titles of European nobility and then noisily misconducting themselves, seem less to deserve their elaborate and acquired nomenclature than the simple label slut. To this honking propaganda, a modern audience dares say "Boo!" The play is a rapidly ironic comedy of bad manners. Ina Claire lends it the exciting charm of her acting and her tireless beauty...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: Mar. 5, 1928 | 3/5/1928 | See Source »

INTERFERENCE?An immensely affable group of Londoners go into the little matter of a slut who swallows prussic acid (TIME...

Author: /time Magazine | Title: Theatre: Best Plays in Manhattan: Feb. 20, 1928 | 2/20/1928 | See Source »

...Christian girls cower, but the Jewess, Rachel, cries : "I! I! I'm not a woman, I'm only a-a - slut! That's good enough for a Prussian!" Forthwith she stabs "Mademoiselle Fifi" in the throat, killing him, then escapes by jumping out the window, finally hides for months in a church tower, fed and cared for by the priest and the sacristan...

Author: /time Magazine | Title: Letters: Mar. 7, 1927 | 3/7/1927 | See Source »

...Egyptian splendor to do credit to the opening night. Claudia Muzio was the Ethiopian slave girl, Cyrena Van Gordon Pharoah's daughter and Arnoldo Lindi the suave-throated warrior loved by them both. Jewels of the Madonna came next with Rosa Raisa, as the Neapolitan slut, lavishing sumptuous tones on tunes as tawdry as the stage jewels that tempted her. Came Boheme with Edith Mason and then-Resurrection with Mary Garden. It mattered little to Chicagoans that her voice was some times cloudy, sometimes thin, that tones were tossed this way and that, sometimes too negligible to be tones...

Author: /time Magazine | Title: Music: In Chicago | 11/22/1926 | See Source »

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