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...personality. Bonnaire stars as the teen-age Suzanne in this doggedly unsentimental French film from Writer-Director Maurice Pialat. Suzanne's family has stayed together by corseting all hostilities. Then she discovers the power of her own erotic impulse. Overnight, Daddy's little girl is a slut in Mama's eyes, and the family falls into convulsions of jealousy and hatred. Like the off-Hollywood films of John Cassavetes, A Nos Amours is less drama than psychodrama; it wears its artlessness as a badge of intrepid truth-telling. Bonnaire's artlessness though, marks...

Author: /time Magazine | Title: Cinema: Rushes: Dec. 3, 1984 | 12/3/1984 | See Source »

Tyrone is a failed actor with a tragedian's soul and a Broadway tinhorn's compulsion for self-abasement in bad booze and worse sex. Josie, the daughter of his Connecticut tenant farmer, has adopted the manner of a slut in order to hide her Madonna's heart. Their tragedy is that their one night of (sexless) love comes too late. From it they achieve not redemption but a brief, bittersweet memory; not" I enough, one suspects, to light their separate darkening paths into the future...

Author: /time Magazine | Title: Theater: Anguished Aria | 5/14/1984 | See Source »

...book, describing the girls' growing sexual awareness. One sister, Celia, is separated from the others by her unique beauty and innocent charm as a teenager. Celia inspires mixed admiration, envy and anticipation from the other girls, who hear their mother warn of "Endless betrayal, maidens forsaken, drowned or turned slut..."even as they witness their sister's endless stream of romances. Chase builds her feminine voice from this distinct consciousness, rooted firmly in the girls' sexuality...

Author: By Nancy Yousef, | Title: Family Matters | 7/19/1983 | See Source »

...want people to see the clothes in says Gianfranco Ferré, whose designs, carefully focused but not fussy, seem to capture an entire geometry of motion. "I believe clothes are living things," insists Claude Montana. Accordingly, his line of racy, kiked-up cycle-slut couture (a leather ensemble can go for as much as $3,000) is presented with some of the most elaborate and amusing theatrics in Paris. Karl Lagerfeld, whose beautifully wrought designs for Chloé, Fendi and Chanel Couture continue to bring the press to its knees, is characteristically canny and bemused. "People have just lost interest...

Author: /time Magazine | Title: Living: TheTheater of Fashion | 5/9/1983 | See Source »

...time. The place is Trenton, New Jersey, the year 1967, and the locale an ethnically and racially integrated public high school called St. Catherine's. The mood throughout is decidedly adolescent. We meet all the usual denizens of such films: the clique of giggly, somewhat unattractive girls, the class slut who "likes it while [she's] doin' it" but feels shitty afterwards, the overprotective parents--"you need protein, you need fiber..."--the refined lady drama teacher and her prize student, Jill Rosen, the school's smart, pretty girl who heads the drama club and dreams of stardom...

Author: By Sarah Paul, | Title: Loving Couple | 5/9/1983 | See Source »

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