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...author of the prize-winning Masturbation Now in the book) becomes a quack surgeon of Italian descent in the movie. The marvelous, obscene Aunt Livia character is transformed into a grotesque nymphomaniac, about as funny as a scrawl on a public bathroom wall. Candy herself becomes an aimless slut--hardly what the original work intended...

Author: By Frank Rich, | Title: Candy | 1/10/1969 | See Source »

...Allen, on the other hand, is delightful as the maid Toinette who brings about the final happy conclusion. In front of Argan's weakness, her insouciance and her defiance of the father's pomposity are refreshing. Over and over Argan calls her "a slut." In essence she is, and an enchanting...

Author: By Nicholas Gagarin, | Title: The Imaginary Invalid | 11/15/1968 | See Source »

Fire!, which ended Brandeis University's repertory season last week, scorches the stage with grief, fury, desire and despair. Framed in a set of huge bronze cubes appear the archetypal woman as mother, wife and slut and the arche typal man as son, father, husband and lover. They are not there to be joined to gether but to be rent asunder. "We must love one another or die," wrote W. H. Auden. Fire! proclaims that love is dead, God is dead, and man is dying. The playwright is a onetime actor now living in Europe who has adopted...

Author: /time Magazine | Title: Repertory: Fire! | 5/24/1968 | See Source »

Miss Horne's greatest triumph lay in overcoming her own substantial bulk. In the first act, largely because of Maestro Lewis' absurdly fast tempi in the Habanera and Seguidilla, her Carmen seemed only a winsome, fat slut, but the virtuosity of her singing and acting for the rest of the opera made it easy to believe every man in sight found her irresistible. Her sensuous voice moved with perfect flexibility from the dark richness of a Leontyne Price to the brilliance of a Birgit Nilsson. The weight of her low register in the Tarot Scene was miraculous, and the delicacy...

Author: By Stephen Kaplan, | Title: Carmen | 3/7/1968 | See Source »

Then one day the class rides him once too often. He cracks under the strain, rages at the boys, warns the loose-lipped girls, "Nobody likes a slut for long." He throws away the books, begins discussing such forbidden subjects as sex and rebellion. The shock treatment works. The class regards him with a mixture of awe and fear, begins to call him "Sir." One of the girls (Judy Geeson) falls in love with him, and one of the boys challenges him to a boxing match. The boy loses, gaining Poitier the final measure of respect. By the time that...

Author: /time Magazine | Title: Cinema: Class War | 6/30/1967 | See Source »

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