Word: smacks
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
...Aside from the weather delay, there were few untoward hitches in the military exercise. One paratrooper's static line failed to release him, and he dangled behind the aircraft until he could cut himself loose with a knife. The 82nd's commander, Major General John Deane, parachuted smack into the middle of an icy 50-ft.-wide stream. He was hastily fished out and draped in a dry parka before going to meet South Korea's President Chung Hee Park at a reviewing stand near...
...were to kiss a white girl, that, too, would offend many people. So we would like to take the only logical step we could take where nobody would be offended." The two men then turned to ward each other with a look of simultaneous discovery and fondness -and kissed, smack on the lips. The ABC Department of Broadcast Standards and Practices (the censors) deleted the actual contact of the lips, but the audience knew exactly what was going to happen after the rest of the scene ran intact. Half a dozen other racial jokes were included in the one-hour...
...that June was still in the bath, but that Jimmy had left. Susie stared at him, then screamed, "You uninvolved son of a bitch." He looked back at her, expressionless. He did not like her at all. And then she raced toward the door, slipped, and with a loud smack, fell to the floor and screamed...
Today, however, the songs of revolution are more explicit, the four-letter words are more frequent. And it all begins to smack of what publicity men call "the hype." Says Ed Denson, Country Joe's manager: "When these people talk about revolution, they mean protest, but they found that the word revolution shocks. The MC5 are taking a protest one step further to get attention." The MC5 clearly practice much of what they preach, as is shown by their string of arrests on charges of noisemaking, obscenity and possession of marijuana. Just as clearly, even their most aggressive songs...
...Author John Fowles, adapting his open-end puzzle of a book, cuts away much of its elegance; but he retains the oscillation between illusion and reality and maintains the mystery to the final frame. Director Guy Green wastes footage on tepid erotic interludes, and some of his Grecian tableaux smack of spring pageants at Vassar. Still, he has a strong sense of place, and he uses the azure skies and limpid Mediterranean to give the story the cast of eternity and overtones of legend-in-the-making. In the final hallucinatory segment, he makes the screen a place of brilliant...