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Although Orton is one of the subtlest of recent satirists, he cannot help hammering in some of his points. He uses this campy (excuse the pun) situation to mock post-World War political dynamics. Scenes smack with references to the French Revolution and the civil war in Ireland. While Erpingham views a crowd of insurgent campers, "La Marseillaise" can be heard from a distance. OK, Joe, I get the hint. The campers follow the typical revolutionary pattern: frustrated by their efforts at peaceful reform, the rabble are instigated to get violent to the point of complete overthrow of the "government...

Author: By Michael D. Shin, | Title: The Erpingham Camp | 8/14/1987 | See Source »

...hard-boiled Texas Ranger who unwittingly assumes that the crime wave sweeping his town is caused by real criminals instead of the United States Armed Forces. He lays all the blame on a childhood friend of his, Cash Bailey (Powers Boothe), who now lives in Mexico and runs smack for a living...

Author: By Jeff Chase, | Title: Macho Cheese Dip | 4/30/1987 | See Source »

Dukakis' New England ties mask a major disadvantage: his circumscribed career has brought him no closer to foreign policy than his morning newspaper. Dukakis' positions, which are still hazy, smack more of Harvard than of the heartland, which may be a problem in the South. He opposes the President's policies in Central America and on Star Wars but has yet to offer a positive program other than wispy references to world peace. Nonetheless, Dukakis' pragmatic liberalism is appealing to a party searching for a post-Reagan philosophy. Pollster Geoffrey Garin contends that Dukakis is the only Democrat able...

Author: /time Magazine | Title: Marathon Man: Dukakis signs up for the race | 3/30/1987 | See Source »

...Smack. Everyone looked...

Author: By Mark Brazaitis, | Title: Places of Glory and Doom | 3/26/1987 | See Source »

...there are lapses. The film's wonderfully orchestrated car chases do linger on, and red-neck ribaldry can pale after a while, and maybe Glen shouldn't have to run smack into a cactus. But who can blame the Coens for blowing up their tale into conventionally funny shapes? Besides, as the brothers demonstrate at the climax, round is funny too. And more than a little poignant. The plot circles back to the quints' nursery, and then to the McDonnoughs' bedroom, where Hi has the strangest dream he dare consider. It is a vision into the future perfect, of middle...

Author: /time Magazine | Title: Cinema: Rootless People RAISING ARIZONA | 3/23/1987 | See Source »

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