Word: smalling
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Dates: during 1970-1979
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...even though Air New England is classified in the same category as national carriers like Eastern and United, it continues to operate in much the same manner as the "commuter" airlines. These are what the industry bluntly describes as its "problem" segment: the more than 200 small, often haphazardly managed, short-hop outfits that have mushroomed since the Government began deregulating air travel...
...departures a day. Result: even if the weather is benign and the engines work fine, the routine delays of ten or 15 minutes that occur at each stop can make a plane one or even two hours late by day's end. Many travelers consider it no small victory if they and their luggage arrive at the same destination at the same time. In some cases, when a plane is fully loaded, the airline may simply keep the bags at the airport and send them out on the next flight. In a lounge at Boston's Logan Airport...
Hoffman-La Roche, maker of Valium and Librium, contends that the incidence of addiction is low. The problem, says the company, comes from a small group of patients who either intentionally overdose themselves, stay on the medication too long or combine it with alcohol. Nevertheless, the company plans an educational campaign to alert patients to the risks of misusing Valium...
...class that he took at Harvard in the late 1940s, and his fiction has continued to radiate qualities dear to the hearts of academic critics: fractured narrative lines, surrealistic landscapes surrounded by the chiaroscuro of despair, irony, symbols galore and, most important, a self-conscious sense of being difficult. Small wonder that so much of his work has seemed to move straight from printing press to college syllabus. Yet it has never been necessary to go to school to acquire a taste for Hawkes. At its best his writing is vividly accessible, and almost always disturbing. His recurrent subject...
...books (The Blood Oranges, Travesty) is sex; The Passion Artist, his eighth novel, dwells still more obsessively on this subject. The title begins in irony. Konrad Vost is neither passionate nor an artist but rather an epitome of timid rationality. Hawkes stresses his hero's stylized anonymity, his "small perfectly round gold-rimmed spectacles, his two ill-fitting suits of black serge, his black turtleneck shirts, his pointed shoes that were always worn at the heels and covered with a faint dusting of powdered concrete from the walls of unfinished buildings ..." Vost dwells in a characterless (and imaginary) European...