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...ignored,” the Boston-based Museum of Bad Art (MOBA) hails itself as “the world’s only museum dedicated to the collection, preservation, exhibition and celebration of bad art in all its forms.” The small-scale volunteer-run MOBA received a surprising amount of media attention when it held its first public exhibition in March 1994. The museum then opened its first permanent gallery space in October 1995 next to the men’s room in the basement of the Dedham Community Theater. In May 2008, they expanded...

Author: By Alexandra perloff-giles, CRIMSON STAFF WRITER | Title: MOBA Changes Trash to Treasure | 2/23/2010 | See Source »

According to Foster, art institutions are fundamentally linked to local identity. “There really is no such thing as a universal museum. I think every museum from small to large is really a local institution,” she said. Broadening the scope of the discussion, Burgard presented a more critical and incisive assessment. He condemned what he saw as a “protracted and self conscious attempt to fix a uniform American cultural identity” within museums...

Author: By Jenya O. Godina, CRIMSON STAFF WRITER | Title: HKS Event Examines Art and Citizenship | 2/23/2010 | See Source »

...front of an amused, though small, audience, Young America’s Foundation spokesman Jason Mattera mocked feminism and homosexuality during a panel at the Conservative Political Action Conference last Thursday in Washington...

Author: By Alice E. M. Underwood, CRIMSON STAFF WRITER | Title: Students and Professors Defend Gender Studies | 2/23/2010 | See Source »

...September 3, a man visits a small dark room in New York’s Museum of Modern Art to witness “24 Hour Psycho”—a video installation by Douglas Gordan exhibited during the summer of 2006—as he has supposedly done every day. As Gordan’s title implies, Alfred Hitchcock’s seminal film has been slowed, and the man relishes the new perspective, the ability to circle the projection screen, scrutinizing and observing in a typically unattainable way. Two men—one old, one young?...

Author: By Beryl C.D. Lipton, CRIMSON STAFF WRITER | Title: 'Point Omega' Explores Complexity and Consciousness | 2/23/2010 | See Source »

Much of the production rests on making the audience a part of the crumbling Wingfield household, and O’Keefe craftily invites the viewer in. The seats are pulled in several feet from the wall, so that the Ex, already a small and snug performance space, here becomes even more intimate. When Jim and Laura share a charming dance toward the end of the play, the close setting makes the ethereal moment all the more fleeting...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: ‘Menagerie’ Shines Despite Added Sap | 2/23/2010 | See Source »

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