Search Details

Word: smalls (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

Just before the Brown football game this fall, somebody walked off with a small sign reading "Modern Language Center" and bearing an arrow pointing towards Frisbie Place. This bit of Pilferage made the University's most inconspicuous building even more inconspicuous...

Author: By Petter B. Taub, | Title: Now in Fourth Year, Modern Language Center Mixes Scholarship with Informal Atmosphere | 12/13/1949 | See Source »

...Fallen Idol. Author Graham Greene and Director Carol Reed wring suspense from the story of a small boy (Bobby Henrey) in a world of adult intrigues; with Ralph Richardson and Michele Morgan (TIME, April...

Author: /time Magazine | Title: Cinema: Current & Choice, Dec. 12, 1949 | 12/12/1949 | See Source »

...truck version of its Stratocruiser, now in quantity production in Seattle. The C-97-B will carry more cargo (53,000 Ibs.) higher (30,000 ft), faster (300 m.p.h.) and farther (3,750 mi.) than Tunner asked for, but its largest cargo door is a hair too small for the Army truck. Last week, Boeing engineers were busy designing a new door...

Author: /time Magazine | Title: AVIATION: Two for Good Measure | 12/12/1949 | See Source »

...story concerns a typical Italian unheroic hero: a vacillating, tortured, sour-faced working man (Lamberto Maggiorani) whose only talent is to attract misery. He and his small son (Enzo Staiola) spend a grey Sunday scouring Rome for the stolen bicycle that is necessary to the father's bill-posting job. Their thief-chasing Odyssey takes them through various institutions (soup kitchen, church, bordello, political meeting, fortuneteller's), supposed to inspire or comfort the miserable. After being treated as a bumbling nuisance at each of these havens, the hero tries unsuccessfully to steal a bicycle, and then tearfully walks...

Author: /time Magazine | Title: Cinema: Import | 12/12/1949 | See Source »

This sort of journey-through-society script might have led to a movie that really moved with the erratic spontaneity of street life. But The Bicycle Thief is oddly static. Events move predictably and almost mechanically. Each small experience of the distraught hero is meticulously rounded and forced in sentiment, character coloring and social comment.Even the minor movements of the actors-the boy's tumble on a rainy street, the mother's fingering of her cheek-appear overrehearsed...

Author: /time Magazine | Title: Cinema: Import | 12/12/1949 | See Source »

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