Search Details

Word: smartly (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...Comes out with first book, I'm Good Enough, I'm Smart Enough, and Doggone it, People Like...

Author: By V. C. Hallett, | Title: A TIMELINE | 3/11/1999 | See Source »

...Comes out with first book, I'm Good Enough, I'm Smart Enough, and Doggone it, People Like...

Author: By V. C. Hallett, | Title: Al Franken's Life: A Timeline | 3/11/1999 | See Source »

Elizabeth: Elizabeth was a bad, shallowmovie posing as a good, smart one. Neophytedirector Shekhar Kapur made a perfect mess of thealready-thin plot by attempting to cover up itsgaping holes with purple velvet and big, shinyswords. Want to toss historical accuracy out thewindow? Fine. Want to direct a period piece likean Aerosmith video? Okay. But must you givetalented lead Cate Blanchett such an atrociousscreenplay to work from? Must you so steadfastlyrefuse to permit your title character theslightest bit of development until the last reel?Kapur's film may have conned enough dopey Academymembers to secure it a nomination, but inevitablecomparisons...

Author: NO WRITER ATTRIBUTED | Title: Oscar is Beautiful Saving Private Oscar Thin Red Oscar Oscars in Love Oscar | 3/9/1999 | See Source »

...like elementary school teacher Mary Letourneau and her 13-year-old boyfriend. But since men tend to accrue wealth and power as they age, it's a bit odd, as zoologist Desmond Morris once noted, that baldness doesn't necessarily activate the female swoon response. It may be smart for women to go for the billionaires and tribal big shots, but in practice their choices are often politically and economically irrational, if not self-destructive. Helen dumped a perfectly good warrior-king for the cute but feckless Paris. Juliet fell for a scion of the enemy clan. In rock...

Author: /time Magazine | Title: The Real Truth About The Female Body | 3/8/1999 | See Source »

...film star, makes her off-Broadway debut in a Moliere classic and gets a big yawn. To be sure, her performance betrays inexperience: slouchy and tentative instead of brittle and biting. But the production around her is smashing. Director Barry Edelstein puts slick designer duds on Crimp's smart update of the play to the phony '90s show-biz world, and the terrific Roger Rees, as Alceste, could teach any young actress a thing or two. Uma...Roger...

Author: /time Magazine | Title: Theater: The Misanthrope, | 3/8/1999 | See Source »

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