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...though, is in a class all by its beautiful self. Of course it should make truckloads of money: its sneak previews have been the most rapturously received since Jaws; industry marketing experts have predicted it as a summer smash; and one professional cynic emerged from a Manhattan screening of the film last week and confidently announced, "$350 million." But the gleam of moisture in his eye said something else, something everyone else will soon be able to discover: that E. T. is a miracle movie, and one that confirms Spielberg as a master storyteller of his medium...

Author: /time Magazine | Title: Cinema: Steve's Summer Magic | 5/31/1982 | See Source »

...sensitive Mario Puzo far more than it explored his Mafia megaseller. Texas Writer and Journalist Larry L. King extends this technique in his seventh and best book. At street level, he hilariously and venomously chronicles The Best Little Whorehouse in Texas-from 1974 Playboy magazine piece to Broadway smash to film-with country-boy cunning. But beyond the ribaldry and self-promotion lies a melancholy, intriguing tale of a writer in trouble. This saddle-sore veteran of his first collaboration emerges brutalized, agonized and hospitalized, although "about two-thirds rich...

Author: /time Magazine | Title: Books: Cattle Call | 5/24/1982 | See Source »

...SMASH PALACE...

Author: /time Magazine | Title: Cinema: Breaking Up | 5/17/1982 | See Source »

...born to toil, and to be obsessive about his labors. Woman was born to complain: "You never pay any attention to me." More divorce wars seem to start with this skirmish than with anything else these days, and the virtues of Smash Palace begin with the simple fact that it has observed the phenomenon closely and painfully. Odd that we have to look as far away as New Zealand (not exactly one of our major movie centers) for what may be the most melodramatic but also the most acutely motivated film yet about divorce...

Author: /time Magazine | Title: Cinema: Breaking Up | 5/17/1982 | See Source »

...possible that Smash Palace is either very brave or very foolish in its refusal to calculate how its moral is likely to anger feminists. But since it is a movie stamped with integrity in every frame, it seems more likely that it was made with no ideology in mind, just a desire to show how a specific marriage was put asunder. Al and Jacqui may or may not be typical, but they are poignantly particularized people without a drop of soapsuds clinging to them...

Author: /time Magazine | Title: Cinema: Breaking Up | 5/17/1982 | See Source »

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