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...Alex Haley's mini-series Roots is a worldwide ratings smash...

Author: /time Magazine | Title: Milestones Of The Century | 6/8/1998 | See Source »

...long. Born in 1942 in Memphis, Tenn., she started recording when she was just 14. Since then, she has had 20 No. 1 R. and B. hits and won 17 Grammys. Her breakthrough album, I Never Loved a Man the Way I Love You (1967), was a Top 40 smash. Three decades later, after Motown, after disco, after the Macarena, after innumerable musical trendlets and one-hit wonders, Franklin's newest album, her critically acclaimed A Rose Is Still a Rose (1998), is another Top 40 smash. Although her output has sometimes been tagged (unfairly, for the most part...

Author: /time Magazine | Title: The Soul Musician ARETHA FRANKLIN | 6/8/1998 | See Source »

Animal Kingdom boasts other shows: a zesty Jungle Book presentation, with gaily colored puppets; and a Festival of the Lion King (the fourth stage show Disney has spun off from its 1994 animated smash) that blends audience participation with tumbling, stilt-walking, Cirque du Soleil-style big-topicality. In Dinoland U.S.A. there's a dinosaur thrill ride, Countdown to Extinction, that uses the technology of the popular Indiana Jones ride in Disneyland, California. But the best spectacles are the ones visitors create, discover or stumble into on their...

Author: /time Magazine | Title: Leisure: Beauty and the Beasts | 4/20/1998 | See Source »

Some kids fixate on toy cars or trucks or guns. When David Bohnett, founder of the surprise smash-hit Website GeoCities www.geocities.com) was a little boy, his obsession was the telephone. "I still think phones are the coolest," he says. He remembers when touch-tone phones first came to Hinsdale, Ill., his hometown. "I told my parents I'd give up my allowance if they got one," he says...

Author: /time Magazine | Title: Levittown On The Web | 4/20/1998 | See Source »

...wonder about this kind of ambition--The Birdcage was a world-wide smash, but that film was grounded in the novelty of exaggerating gay stereo-types. The Object of My Affection, on the other hand, aims for tenuous realism. Ultimately, this reality is fatally compromised. In trying to make a romantic comedy/melodrama that will be universally loved, the audience is left with a fluffy, unsatisfying corpse of a movie that barely registers...

Author: By Soman S. Chainani, CRIMSON STAFF WRITER | Title: Highlighting Stereotypes is Not Funny | 4/17/1998 | See Source »

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